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What's the one thing that you need to say but have never dared? And who needs to hear it? Based on the original concept by playwright Rachel De-Lahay, this follow-up volume to My White Best Friend (And Other Letters Left Unsaid) collects a series of personal letters, monologues and writings by 20 Black and ethnically diverse writers from across the North of England. Sometimes funny, sometimes poignant, sometimes political and full of fire, these letters explore the personal and political of the things we don't dare say – even to those closest to us. Originally commissioned by Everyman & Playhouse theatres, Eclipse and the Royal Exchange in 2021, in response to The Bunker Theatre's critical...
What is FIT Teaching? What is a FIT Teacher? The Framework for Intentional and Targeted Teaching®—or FIT Teaching®—is a research-based, field-tested, and experience-honed process that captures the essentials of the best educational environments. In contrast to restrictive pedagogical prescriptions or formulas, FIT Teaching empowers teachers to adapt the most effective planning, instructional, and assessment practices to their particular context in order to move their students’ learning from where it is now to where it should be. To be a FIT Teacher is to make a heroic commitment to learning—not just to the learning of every student in the classroom, but to the professional learning...
Two London girls visit Jamaica for a holiday and for romance. Babs wants to know if her romance with Passion, a guy from last year, is for keeps. Anisha is there for different reasons, but she isn't saying what they are – yet. Off Camera was performed at the West Yorkshire Playhouse, 27 June - 12 July, 2003, and was winner of the Alfred Fagon Prize.
"Based on the original concept by playwright Rachel De-Lahay and commissioned by Everyman & Playhouse theatres, Eclipse and the Royal Exchange, this follow-up volume to My White Best Friend (And Other Letters Left Unsaid) collects a series of 20 personal letters, monologues and writings by BIPOC writers from across the North of England. Sometimes funny, sometimes poignant, sometimes political and full of fire, these letters explore the personal and political of the things we don't dare say - even to those closest to us. Contributors include: Yusra Warsama, Malika Booker and Jamal Gerald"--
The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.
NINE LIVES See over here it's not like over there. Here there are neon lights. Here there are queens. Here there are rainbow flags draw high. One man and a suitcase filled with the past, uncertainty, high heels, brokenness, African dancing shells and hope. Ishmael has been outed, along with his lover, David. He has sought sanctuary in the UK, but is this evidence enough? As Ishmael waits to hear his fate, he encounters new friends – and enemies, all the while looking for a place to call home again. Zodwa Nyoni threads together humour and humanity to tell the real personal story behind asylum headlines. Nine Lives was developed as part of the West Yorkshire Playhouse's A Play, A Pie and A P...
Meredith Oakes' plays include "The Neighbour" for the National Theatre and "Faith" at the Royal Court.