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The Pinch
Robert and Delores Trexler have been cursed how else to explain Delores mid-life pregnancy? Certainly not the troll. Certainly not. While Delores seeks refuge in insanity, and while Robert watches the world unravel, Tricia, their young daughter, fights to remove the curse by killing the Forth bird. Two houses down, Rudy Faragot is protecting his yard from those who would dare cut through and into the woods. To protect his territory, the young and innocent Rudy must be crucified and then resurrected as the solitary and savage Dinky Dau. The paths of the Trexlers and The Dinky Dau cross in the Forbidden Field late one snowy night. It is here Rudy surrenders to those he has slaughtered and has delivered to The Pinch. And it is here the Trexlers restore the balance of good and evil.
Kierkegaard and Critical Theory
Kierkegaard's impact on the development of critical theory has received scant study; it is the aim of the book to fill this scholarly lacuna. Kierkegaard and Critical Theory seeks to expose the complexity not only of Kierkegaard but of the Frankfurt School and their cohort, highlighting the ways in which the Danish religious thinker has been redeemed for a multiculture activist ethics in spirit with the fundamental aims of the Frankfurt School.
The Concept of the Beautiful
The main purpose of this book is to explicate the problematic relationship between the heterogeneity of what is experienced as beautiful and the homogeneity of the conceptualization of that experience, or attempt at such a conceptualization in the era of modern philosophy. While the heterogeneity of what is experienced as beautiful was permitted, and indeed celebrated, in the dominant ancient conception—for example, in the Symposium and Phaedrus of Plato—the need for homogenization in the later appropriation of Plato and in the Enlightenment period relegated the beautiful to the privileged domain of artworks. In her analysis Agnes Heller provides a unique and significant emphasis on the ...
Care Ethics and the Refugee Crisis
This book advocates for the philosophical import of care in re-evaluating problems of humanitarianism in the context of the ongoing international refugee and forced migration situation. In doing so, it rethinks the human capacity to care about the suffering of distant others. At a time when emotional resources are running low, there is a need to recast what it means to care, with the aim of generating a productive movement against the rise of value fundamentalism globally—embraced in mantras of ‘good and evil’ and ‘us and them’—and to confront xenophobia and oppressive politics. The author draws upon a wide array of rich traditions, including historical and contemporary writings ...
Jet
The weekly source of African American political and entertainment news.
The Philosophy and Politics of Aesthetic Experience
This book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to art—it is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons.
Facets of Modernity
What does it mean to be human in modernity? This book examines being human, in its theoretical, practical, and productive aspects, not in abstraction from historical, social, and political settings, but rather as set in concrete historical and material circumstances. Through the analysis and close reading of a number of texts of the modern thinkers, which include those of Nietzsche, Dostoevsky, Tolstoy, Kracauer, Heidegger, Benjamin, Hans Jonas and Agnes Heller, it demonstrates that the complexity and variety of the human experience is grounded in the modern subjectivity, which establishes itself as universal, rational, autonomous, and necessary. Such a subjectivity is characterised as self-legislating or establishing the universal moral law and is further defined by historicity, or the interpretation of its actions as conditioned by the previous and current social and political circumstances. The book then shows that the multiple facets of modernity make the experience of being human fascinating, complicated and ultimately unique.
Volume 15, Tome VI: Kierkegaard's Concepts
Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.
A Companion to Adorno
A definitive contribution to scholarship on Adorno, bringing together the foremost experts in the field As one of the leading continental philosophers of the last century, and one of the pioneering members of the Frankfurt School, Theodor W. Adorno is the author of numerous influential—and at times quite radical—works on diverse topics in aesthetics, social theory, moral philosophy, and the history of modern philosophy, all of which concern the contradictions of modern society and its relation to human suffering and the human condition. Having authored substantial contributions to critical theory which contain searching critiques of the ‘culture industry’ and the ‘identity thinking...
