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Public Privates focuses on public and private acts and spaces in media to explore the formation of geographies. Situated at the intersections of cultural geography, feminist geography, and media studies, Marcia R. England’s study argues that media both reinforce and subvert traditional notions of public and private spaces through depiction of behaviors and actions within those spheres. Though popular media contribute to the erosion of indistinct edges between spaces, they also frequently reinforce the traditional dualism through particular codings that designate the normed and gendered socio-spatial actions appropriate in each sphere—producing geographical imaginations and behaviors. Eng...
The sites, spaces and subjects of reproduction are distinctly geographical. Reproductive geographies span different scales - body, home, local, national, global - and movements across space. This book expands our understanding of the socio-cultural and spatial aspects of fertility, pregnancy and birth. The chapters directly address global perspectives, the future of reproductive politics and state-focused approaches to the politicisation of fertility, pregnancy and birth. The book provides up-to-date explorations on the changing landscapes of reproduction, including the expansion of reproductive technologies, such as surrogacy and intrauterine insemination. Contributions in this book focus on phenomenologically-inspired accounts of women’s lived experience of pregnancy and birth, the biopolitics of birth and citizenship, the material histories of reproductive tissues as "scientific objects" and engagements with public health and development policy. This is an essential resource for upper-level undergraduates and graduates studying topics such as Sociology, Geographies of Gender, Women’s Studies and Anthropology of Health and Medicine.
This handsomely illustrated book discusses portraiture as a cultural and political phenomenon in eighteenth-century England. Marcia Pointon offers detailed historical analyses of portraits by Gainsborough, Reynolds, Hogarth, and others, showing how portraiture of the period provided mechanisms for constructing and accessing a national past and for controlling a present that appeared increasingly unruly."A lively and inventive book, offering an unusual perspective on familiar works. The illustrations are magnificent and Pointon provides fascinating information". -- David Nokes, The Spectator"Impressive ... comprises a fascinating historical analysis and methodological sophistication which maps new ground in the study of portraiture and provides an excellent model for future generations of researchers". -- Shearer West, Times Literary Supplement"Original and perceptive.... The measure of the importance of this thought-provoking volume is its fresh approach, choosing revealing areas of enquiry to probe eighteenth-century attitudes of mind". -- John Hayes, Art Newspaper
Machine generated contents note: Acknowledgments Introduction 1. Welcome to the Hellmouth: Paradoxical Spaces in Buffy the Vampire Slayer 2. Home Is Where the Heart Is: Fast and Furious Geographies 3. Scared to Death: Spaces of J-Horror 4. Visions of Gender: Codings of Televisual Space 5. Navigating Degrassi Community School: Socio-Spatial Identities in Degrassi 6. Big Brother Is Watching You: Why You Should Be Watching Reality TV 7. Kinky Geographies: Sexuality in Mediated Spaces 8. Public Privates Exposed: Media, Gender, and Space Appendix: Filmography Notes Bibliography Index
We are surrounded with portraits: from the cipher-like portrait of a president on a bank note to security pass photos; from images of politicians in the media to Facebook; from galleries exhibiting Titian or Leonardo to contemporary art deploying the self-image, as with Jeff Koons or Cindy Sherman. In antiquity portraiture was of major importance in the exercise of power. Today it remains not only a part of everyday life, but also a crucial way for artists to define themselves in relation to their environment and their contemporaries. In Portrayal and the Search for Identity, Marcia Pointon investigates how we view and understand portraiture as a genre and how portraits function as artworks ...
In an era of accelerating technology and increasing complexity, how should we reimagine the emancipatory potential of feminism? How should gender politics be reconfigured in a world being transformed by automation, globalization and the digital revolution? These questions are addressed in this bold new book by Helen Hester, a founding member of the 'Laboria Cuboniks' collective that developed the acclaimed manifesto 'Xenofeminism: A Politics for Alienation'. Hester develops a three-part definition of xenofeminism grounded in the ideas of technomaterialism, anti-naturalism, and gender abolitionism. She elaborates these ideas in relation to assistive reproductive technologies and interrogates the relationship between reproduction and futurity, while steering clear of a problematic anti-natalism. Finally, she examines what xenofeminist technologies might look like in practice, using the history of one specific device to argue for a future-oriented gender politics that can facilitate alternative models of reproduction. Challenging and iconoclastic, this visionary book is the essential guide to one of the most exciting intellectual trends in contemporary feminism.
Patti is a busy Senior Probation Officer working in Camden London with a teenager off to university, Charmaine is a stressed out mum of twins and Rose is the Pastor's wife with five daughters. Life gets complicated when they meet and marry three brothers, Manley, Marcus and Junior Morgan who are from a close-knit Jamaican family. All are hoping for "Divine Intervention" as they plot to leave their abusive relationships on the same day.
This is a research-based book on whistle-blowing in organizations. The three noted authors describe studies on this important topic and the implications of the research and theory for organizational behavior, managerial practice, and public policy. In the past few years there have been critical developments, including corporate scandals, which
In this unusual and original study, Marcia Pointon examines the cultural effects and consequences of the participation by women in acts of representation in the late seventeenth and eighteenth centuries. She explores their lives and work, and a cultural environment in which images of female saints and goddesses established indices of femininity in the homes of wealthy men. Did the women portrayed also possess artifacts, and did they use the power of gifts and bequests to determine social relations? Did they themselves participate in the processes of creating images of the seen world? Pointon sets out to answer some of these questions through a series of novel and vividly recounted case studies of women such as Emma Hamilton (wife and mistress), Mary Moser, the artist, and Dorothy Richardson, the antiquarian.
Coming to London aged thirteen from desperate poverty in Jamaica; pregnant at fifteen; fifteen years later singing in Boney M, one of the biggest international groups of the late-1970s; a messy group split during the 1980s; a 1990s solo career interrupted by six bouts of cancer - ovarian, breast, lymph node (twice), spine and oesophagus - and having to learn to walk again. Yet throughout Marcia Barrett has remained totally cheerful, relentlessly optimistic and a shining inspiration, looking on every obstacle as a mere inconvenience rather than anything insurmountable. Now, she is ready to tell her fantastic story, which is much more than just a pop star autobiography. It is a charming, candid, laugh-out-loud story of survival, triumph, indomitable spirit and total upfullness, often driven by sheer force of will. It is a feelgood story which will resonate amongst all.