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Twentieth-Century Music and Politics
When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
A Modern Miscellany
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
The Marshall Mission to China, 1945–1947
This book breaks new ground in our understanding of a pivotal period in the history of American foreign policy, the early Cold War, and the struggle for dominance in China between the Nationalists and Communists. The famous Marshall Mission to China has been the focus of intense scrutiny ever since General George C. Marshall returned home in January 1947 and full-scale civil war consumed China. Yet until recently, there was little new to add to the story of the failure to avert war between the Chinese Nationalists, under Chiang Kai-shek, and the Chinese Communists, led by Mao Zedong. Drawing on a newly discovered insider's account, Roger B. Jeans makes an invaluable contribution to our under...
The Making of the Modern Refugee
The Making of the Modern Refugee proposes a new approach to a fundamental aspect of twentieth-century history by bringing the causes, consequences and meanings of global population displacement within a single frame. Its broad chronological and geographical coverage, extending from Europe and the Middle East to South Asia, South-East Asia and sub-Saharan Africa, makes it possible to compare crises and how they were addressed. Wars, revolutions and state formation are invoked as the main causal explanations of displacement, and are considered alongside the emergence of a twentieth-century refugee regime linking governmental practices, professional expertise and humanitarian relief efforts. Ho...
Jewish Responses to Persecution
Published in association with the United States Holocaust Memorial Museum Jewish Responses to Persecution: 1941–1942 is the third volume in a five-volume set published in association with the United States Holocaust Memorial Museum that offers a new perspective on Holocaust history. Incorporating historical documents and accessible narrative, this volume sheds light on the personal and public lives of Jews during a period when Hitler’s triumph in Europe seemed assured, and the mass murder of millions had begun in earnest. The primary source material presented here, including letters, diary entries, photographs, transcripts of speeches, newspaper articles, and official memos and reports, makes this volume an essential research tool and curriculum companion.
Chasing the Dragon in Shanghai
Canadians share a long history with China. Canada is home to a large Chinese diaspora, it appointed a trade commissioner to Shanghai over a century ago, and it was one of the first Western nations to recognize the People’s Republic of China. This absorbing account of Canadian sojourners in Shanghai, from the arrival of Lord Elgin in 1858 to the closing of the consulate general in 1952, gives a human face to that history. Some Canadians came to save souls, nourish bodies, and educate minds; others sought financial and political gain. Their experiences – which unfolded against a backdrop of civil war, invasion, and revolution in China and were coloured by Canada’s evolution from colony to nation – reflected Canada’s deepening relationship with China and the troubling asymmetries that underpinned it. Although Canadians, like other foreigners, had left Shanghai by the early 1950s, their lives and activities foreshadowed more recent Canadian initiatives in that city, and in China more generally.
Between China and Japan
Over the past thirty-five years, Joshua Fogel has pioneered the study of Sino-Japanese cultural and political relations—understood as the intersections of the histories of these two countries. This volume brings together many of his essays and reviews in this new field. For a variety of reasons discussed within, scholars have been reluctant to look at these two nation’s historical connections, either through comparative analysis or actual interactions. Fogel’s work has focused squarely here. Among the issues addressed are Japanese scholarly views of modern China and Chinese history, Chinese considerations of the Japanese language in the Ming and Qing periods, the Japanese immigration to the East Asian Mainland (especially to Shanghai and Harbin), and more.
