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The New Red Negro
The New Red Negro surveys African-American poetry from the onset of the Depression to the early days of the Cold War. It considers the relationship between the thematic and formal choices of African-American poets and organized ideology from the proletarian early 1930s to the neo-modernist late 1940s. This study examines poetry by writers across the spectrum: canonical, less well-known, and virtually unknown. The ideology of the Communist Left as particularly expressed through cultural institutions of the literary Left significantly influenced the shape of African-American poetry in the 1930s and 40s, as well as the content. One result of this engagement of African-American writers with the ...
College Literature
None
America, History and Life
Provides historical coverage of the United States and Canada from prehistory to the present. Includes information abstracted from over 2,000 journals published worldwide.
Contemporary Poets, Dramatists, Essayists, and Novelists of the South
From the early 20th century to the present, Southern literary talent has flourished. The newer poets, dramatists, essayists, and novelists of this region often use their writings to explore the changing social values of the South, while also drawing upon traditional Southern values and culture. This reference work is a guide to the writings of 50 contemporary Southern poets, dramatists, essayists, and novelists. Many of the authors profiled in this volume have established themselves as writers of lasting significance. However, the book also profiles the careers and work of authors who are emerging only now as masters of their art. Each chapter in this book is devoted to a single author, and arranged alphabetically for the reader's convenience. Each is written by an expert on the author, and includes a biographical sketch, a discussion of major themes, a survey of criticism, and a bibliography of works by and about the author. An introductory essay overviews modern Southern writing, and a selected, general bibliography concludes the work.
I Too Sing America
Winner of the James A. Porter and David C. Driskell Book Award for African American Art History, I Too Sing America offers a major survey on the visual art and material culture of the groundbreaking movement one hundred years after the Harlem Renaissance emerged as a creative force at the close of World War I. It illuminates multiple facets of the era--the lives of its people, the art, the literature, the music, and the social history--through paintings, prints, photography, sculpture, and contemporary documents and ephemera. The lushly illustrated chronicle includes work by cherished artists such as Romare Bearden, Allan Rohan Crite, Palmer Hayden, William Johnson, Jacob Lawrence, Archibald...
