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Contents include: Lullaby (F. Schubert) 12*; Lullaby (J. Brahms) 13*; Concerto No. 2 in G Major, Op. 13, 3rd Movement (F. Seitz) 14*: Concerto No. 5 in D Major, Op. 22, 1st Movement (F.Seitz) 15*; Concerto No. 5 in D Major, Op. 22, 3rd Movement (F. Seitz) 16*; Concerto in A Minor, 1st Movement, Op. 3, No. 6, (A. Vivaldi/T. Nachez) 17*; Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez) 18*; Perpetual Motion, "Little Suite No. 6" (K. Bohm) 19*; Concerto for Two Violins in D Minor, BWV 1043, Violins I & II (J. S. Bach) 20*; Concerto for Two Violins in D Minor, BWV 1043, Violin II (J. S. Bach); Concerto for Two Violins in D Minor, BWV 1043, 1st Movement, Violin I (J. S. Bach) * This number indicates the track number of the piano accompaniment for each corresponding piece.
This book provides a theoretical account of a variety of different communicative aspects of silence and explores new ways of studying socially-motivated language. A research overview shows the influence of related work in the fields of media studies, politics, gender studies, aesthetics and literature. The author argues that in theoretically pragmatic terms, silence can be accounted for by the same principles as those of speech. A later, more applied section of the book explores the power of silencing in politics. A concluding chapter shows the importance of silence beyond linguistics and politics in terms of artistic expression. The approach is intentionally eclectic in order to explore the concept of silence as a rich and
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This autobiographical novel recalls the first days of Polish Solidarity and the declaration of martial law as well as the author's Lithuanian childhood, his anti-Nazi and anti-communist activities, and his halfhearted conversion to communism and dissident
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