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Includes index to Scripture (Old and new testaments) ; References are to books, chapters, and sections.
This is a new, critical edition (in two-volumes) of Gerardus Joannes Vossius' Latin Poeticae institutiones (1647), with a translation in English, an introduction, annotations and a commentary. In appendices the De artis poeticae natura ac constitutione and De imitatione are published, with a translation.
This is a complete critical edition of Cicero's Cato Maior de Senectute (On Old Age )with an introduction and commentary. The text is based on a fresh examination of the manuscript tradition while the introduction aims to place the work in the context of Cicero's writings on old age in the ancient world. The Roman and Ciceronian qualities of the work are emphasized, rather than the search for lost sources that occupied scholars in the past. Matters of text, language, and content are all considered equally in the commentary.
Throughout Western history, there have been those who felt compelled to share a dissenting opinion on public matters, while still hoping to avoid the social, political, and even criminal consequences for exercising free speech. In this collection of fourteen original essays, editors Han Baltussen and Peter J. Davis trace the roots of censorship far beyond its supposed origins in early modern history. Beginning with the ancient Greek concept of parrhêsia, and its Roman equivalent libertas, the contributors to The Art of Veiled Speech examine lesser-known texts from historical periods, some famous for setting the benchmark for free speech, such as fifth-century Athens and republican Rome, and...
"Beginning with Cicero and Varro and ending with Statius and Pliny the Younger, this chapter offers a chronological investigation of the ways in which real and literary gardens developed from the first century BCE to the first century CE as a means of elite masculine self-representation and the reactions of elite Roman men to the increased social and cultural power of villa and horti estates and their grounds. Gardens served as powerful symbols of wealth and as creative displays of the cultural aspirations of their owners in ways that challenged traditional definitions of gardens and of Roman manliness. Since these large-scale 'gardens' are primarily associated with leisure (otium), authors are concerned with describing and justifying their activities in these sites as befitting Roman masculine ideals. We can trace a change in attitude towards leisure and the private display of wealth, and consequently gardens, largely attributed to changes in the socio-political circumstances of the Roman elite, in the works of Statius and his contemporary Pliny the Younger, who use laudatory descriptions of extensive villas and grounds as a means of expressing social and literary power"--