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While imported Chinese porcelain had become a valuable commodity in Europe in the seventeenth century, local attempts to produce porcelain long remained unsuccessful. At last the secret of hard-paste porcelain was uncovered, and in 1710 the first European porcelain was manufactured in Saxony. Meissen porcelain, still manufactured today, soon ranked in value with silver and gold. This thorough and lavishly illustrated volume explores the early years of Meissen porcelain and how the princes of Saxony came to use highly prized porcelain pieces as diplomatic gifts for presentation to foreign courts. An eminent team of international contributors examines the trade of Meissen with other nations, from England to Russia. They also investigate the cultural ambience of the Dresden Court, varying tastes of the markets, the wide range of porcelain objects, and their designers and makers. Individual chapters are devoted to gifts to Denmark, other German courts, the Holy Roman Empire, Italy, France, and other nations. For every Meissen collector or enthusiast, this book will be not only a treasured handbook but also a source of visual delight.
This book focuses on the analysis of coercive measures that sports organisations are permitted to use as part of their internal sports investigation proceedings to investigate sports rule violations. The legality of such coercive measures is measured against the legal regime of the European Convention on Human Rights (ECHR). The book examines the important issue of the applicability of the ECHR to private sports organisations, which is currently widely debated in the field of sports law. The ECHR is hereby used as the analytical framework, which should also be a source of inspiration for jurisdictions outside the scope of application of the ECHR. The book further explores if and to what extent sports organisations and law enforcement agencies may exchange intelligence in support of both internal sports investigation proceedings and criminal investigations. At all stages, the work seeks to strike a balance between the interest of sports organisations to investigate sports rule violations and the rights of athletes and other sportspersons. The work will be an invaluable resource for students, academics and policy-makers working in the area of Sports Law and Human Rights Law.
Conor Mark Jameson has spent most of his life exploring the natural environment and communicating his enthusiasm for it to family, friends and, more recently, readers of a range of newspapers and magazines. Shrewdunnit brings together the best of these dispatches, alongside unpublished essays, in a poetic and evocative journal that inspires and delights. Jameson’s prose is fresh and in places irreverent, with a hint of mischief and a dash of wit. From his back door to the peaks of New Zealand and the swamp forests of the Peruvian Amazon, he carries on the biogumentary style he perfected in his earlier books showing – never telling – how to bring nature and conservation home. He may jus...
The parks that surround England's Windsor Castle were established in the Middle Ages for the protection of the royal deer. With the assistance of documents in the Public Record Office and the Royal Archives, and works of art in the Royal Collection, Jane Roberts has created an extensive and beautifully illustrated history of this royal acreage. 200 color & 300 b&w illustrations.
Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries. Tracing this preoccupation through the period’s films—as well as its legal, medical, and literary texts—Andriopoulos pays particular attention to the terrifying notion of murder committed against one’s will. He returns us ...
Mark Laird offers a wealth of visual and literary materials to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
Originally, the area of responsibility for landscape architecture was based on the premise that the planning and creating of open spaces such as parks and gardens was the business of garden artists. Today, the training of landscape architects and future challenges of the profession include the protection of natural resources and the environment, urban planning or tourism - to name but a few. The international symposium “From Garden Art to Landscape Architecture - Traditions, Re-Evaluations, and Future Perspectives” addressed questions which, based on the idea of garden art, should help to reconstruct its historical development but also discussed the notion and the relevance of “art” in everyday work. The contributions critically reflect on the professional self-image of landscape architects at the beginning of the 21st century. The symposium in September 2018 was co-organized by the City and State Capital of Hannover’s Herrenhausen Gardens Division, the Deutsche Gesellschaft für Gartenkunst und Landschaftsarchitekturt (DGGL), the Volkswagen Foundation and the Centre of Garden Art and Landscape Architectur.
A fascinating and beautifully illustrated volume that explains what street trees tell us about humanity’s changing relationship with nature and the city Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dümpelmann explains, this is not a new phenomenon. In her eye-opening work, Dümpelmann shows how New York City and Berlin began systematically planting trees to improve the urban climate during the nineteenth century, presenting the history of the practice within its larger social, cultural, and political contexts. A unique integration of empirical research and theory, Dümpelmann’s richly illustrated work uncovers this important untold story. Street trees—variously regarded as sanitizers, nuisances, upholders of virtue, economic engines, and more—reflect the changing relationship between humans and nonhuman nature in urban environments. Offering valuable insights and frameworks, this authoritative volume will be an important resource for years to come.
A gripping tale on the trail of a most mysterious and charismatic bird. The book traces Conor Jameson's travels in search of the Goshawk, a magnificent yet rarely seen (in Britain at least) raptor. Each episode of the narrative arises from personal experience, investigation, and the unearthing of information from research, exploration and conversations. The journey takes him from an encounter with a stuffed Goshawk in a glass case, through travels into supposed Goshawk territories in Britain, to Berlin - where he finds the bird at ease in the city. Why, he wants to know, is the bird so rarely seen in Britain? He explores the politics of birdwatching, the sport of falconry and the impact of persecution on the recent history of the bird in Britain and travels the length of Britain, through central Europe and the USA in search of answers to the goshawk mystery. Throughout his journey he is inspired by the writings of T H White who told of his attempts to tame a Goshawk in his much-loved book.
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.