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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Marcus Rainsford was a soldier who served for many years with the British Army in the British West Indies. He visited Haiti in 1799, where he became an admirer of Toussaint L'Ouverture, the former slave who led Haiti's revolution and struggle to end slavery. This book is Rainsford's account of the slave uprising that began in August 1791 and the subsequent fighting that, at different times, involved French, Spanish, and British troops and various factions in Haiti. The book includes the first known representations of Toussaint, which were engravings made from Rainsford's sketches and descriptions. Also included are extensive documentation of the revolution and Rainsford's disturbing accounts of the brutal treatment of the slave population by their French masters, as well as of the atrocities committed by all sides in the course of the struggle. Toussaint died in Paris in April 1803, after having been seized by French forces acting under orders from Napoleon Bonaparte, who in 1802 sent an army to Haiti in attempt to reassert French control. Rainsford's wholly admiring account of Toussaint appears in chapter 5 of the work.
(Foreword by W. H. Griffith Thomas; introduction by S. Maxwell Coder) Regarded by some as the greatest classic ever written on Christ's high priestly prayer for His people.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
With the Ta-Nehisi Coates-authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker's cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel's Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the ...
Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".
John Thelwall’s The Daughter of Adoption: A Tale of Modern Times is a witty and wide-ranging work in which the picaresque and sentimental novel of the eighteenth century confronts the revolutionary ideas and forms of the Romantic period. Thelwall puts his two main characters, the conflicted English gentleman Henry Montfort and the Creole Seraphina Parkinson, through their paces in a slave rebellion in Haiti, where they barely escape with their lives, and in London society, where Henry almost loses his soul. Combining political analysis with melodrama and flat-out farce, Daughter expands the scope of the abolitionist novel, pushing the argument beyond the slave trade to challenge empire and racial superiority. Historical materials on Thelwall’s life, the abolitionist movement, and eighteenth-century educational theories provide a detailed context for the novel.
Toussaint L'Ouverture was the leader of the Haitian Revolution in the late eighteenth century, in which slaves rebelled against their masters and established the first black republic. In this collection of his writings and speeches, former Haitian politician Jean-Bertrand Aristide demonstrates L'Ouverture's profound contribution to the struggle for equality.