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Early Polish Modern Art
This groundbreaking work examines four avant-garde groups that emerged in Poland towards the end of World War I; the Poznan Expressionists, the Young Yiddish, the Formists, and the Futurists. It is the first extensive study to bring the four groups together, and in doing so it establishes interconnections between them, and discusses their work in light of socio-political and cultural currents in Poland and wider Europe in the interwar period.
The Best Man that Ever was
The Best Man That Ever Was announces Annie Freud as one of the most startlingly original poets to have emerged for many years. With the imaginative risks she takes, Freud might be called an experimental poet, were her poetry not so effortlessly successful. These wise, funny, sly, erotic, and lightning-witted poems all find their marks with unerring accuracy. From the astonishing and highly discomforting dramatic monologue of the title poem, through love poems of great worldly tenderness, to a soliloquy from the inventor of the individual fruit pie, the reader is both challenged and royally entertained from first to last. The Best Man That Ever Was is one of the most important poetic debuts of the last decade.
The Oxford Critical and Cultural History of Modernist Magazines
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
The American Bibliography of Slavic and East European Studies for 1994
This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs.
Leaving the Jewish Fold
Between the French Revolution and World War II, hundreds of thousands of Jews left the Jewish fold - by becoming Christians or, in liberal states, by intermarrying. Telling the stories of both famous and obscure individuals, Leaving the Jewish Fold explores the nature of this drift and defection from Judaism in Europe and America from the eighteenth century to today. Arguing that religious conviction was rarely a motive for Jews who become Christians, Todd Endelman shows that those who severed their Jewish ties were driven above all by pragmatic concerns - especially the desire to escape the stigma of Jewishness and its social, occupational, and emotional burdens. Through a detailed and colo...
The European Avant-Garde
The European Avant-Garde: Text and Image is an interdisciplinary collection of thirteen essays relating to the study of European Avant-Garde movements between 1900 and 1940. The essays cover both literary and artistic subjects, across geographical, linguistic and disciplinary boundaries. Various aspects of the English, Irish, German, French, Italian, Spanish, and Polish avant-gardes are explored, examining both diverse literary genres such as prose, poetry and drama, and specific avant-garde movements such as Futurism and Surrealism. The volume includes a lengthy introductory essay by Prof. John J. White, Emeritus Professor of German and Comparative Literature at King’s College London. Avant-garde studies can be enhanced and developed through dialogue with other disciplines, such as translation, gender, exile and comparative studies. Thus, the volume is divided into four sections: Representations of the Body; Translating the Avant-Garde, Identity and Exile; and Comparative Perspectives and the Legacy of the Avant-Garde.
Jewish Dimensions in Modern Visual Culture
A fascinating look at key aspects of visual culture in modern Jewish history
Warsaw
Part of the "Topographics" series, David Crowley's study presents a cultural and architectural history of post-war Warsaw.
Husbands, Wives, and Lovers
In this interdisciplinary exploration of the cultural and social history of early 19th-century France, Patricia Mainardi focuses on what was considered a major social problem of the time - adultery. In a period when expectations about marriage were changing, the problems of husbands, wives and lovers became a major theme in theatre, literature and the visual arts. The author demonstrates that this intense interest was historically grounded in the post-revolutionary collision between the new concept of the individual's right to happiness and the traditional prerogatives of family and state. duty or happiness more important? Are arranged marriages doomed to be empty of love and poisoned by adultery? Should adulterous wives and their lovers be punished while husbands may commit adultery with impunity? Out of such legal, social and cultural debates ultimately emerged modern bourgeois family values, Mainardi argues. And she illuminates how art, in all its varieties, both influences and is influenced by social change.
