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Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts
The Salvator Mundi is the first Leonardo painting to be discovered for over a century. Following its re-emergence, it played a leading role in the landmark Leonardo exhibition at the National Gallery in London in 2011, after which it was purchased by a Russian oligarch. In 2017 it was auctioned by Christie's in New York, fetching the world record price of $450m, and now forms part of the collection of Louvre Abu Dhabi. The Salvator Mundi may be seen as the devotional counterpart to the Mona Lisa, having an extraordinary, communicative presence. The artist has reformed the very traditional subject matter in a number of ways. The elusiveness of Christ's expression suggests his spiritual origin...
Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts
A study of Leonardo da Vinci's Salvator Mundi, the world's most expensive painting; this volume recounts the story of the painting's modern-day discovery and restoration, but also delves into the collecting of Leonardo's works at the courts of Charles I and Charles II--éd.
The Last Leonardo: The Secret Lives of the World’s Most Expensive Painting
In 2017 the Salvator Mundi was sold at auction for $450m. But is it a real da Vinci? In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries.
Big Crime and Big Policing
Following money over national borders, banking systems, casinos, and free trade zones, as well as the world of the corrupt elites, Big Crime and Big Policing brings new scholarly and practical insights into our understanding of the interplay of money, crime, and policing on the grand scale. In this wide-ranging volume, a mixed group of scholars and practitioners aim to show how money dictates the scope and nature of financial and corporate crimes, and the impact of these crimes on national economies, social institutions, and communal well-being alike. The book examines how the combined efforts of governments and international organizations fail to stop financial crime at its source and, despite apparently generous human and financial resources, police and law enforcement efforts ultimately fall short of defeating big crime and of meeting public safety needs. International in scope, Big Crime and Big Policing provides fresh reflection on a significant problem of our age, one that demands greater attention from governments and the public.
Mona Lisa
The true story of the Mona Lisa - the people behind it, how Leonardo painted it and what it meant to him, and its fortunes in the centuries since. Read this book and the world's most famous image will never look the same again.
The Proof
How do we know what we think we know? The answer is evidence, but evidence is no simple thing. What counts as evidence in a scientific context or private dispute may not stand up in court. Frederick Schauer combines perspectives from law, statistics, psychology, and philosophy to assess the nature of evidence in the era of “fake news.”
Pixels & Paintings
PIXELS & PAINTINGS “The discussion is firmly grounded in established art historical practices, such as close visual analysis and an understanding of artists’ working methods, and real-world examples demonstrate how computer-assisted techniques can complement traditional approaches.” —Dr. Emilie Gordenker, Director of the Van Gogh Museum The pioneering presentation of computer-based image analysis of fine art, forging a dialog between art scholars and the computer vision community In recent years, sophisticated computer vision, graphics, and artificial intelligence algorithms have proven to be increasingly powerful tools in the study of fine art. These methods—some adapted from fore...
50 anni con Leonardo
"In diverse occasioni ebbi l'impressione di aver chiuso con lui; pensavo di aver detto tutto ciò che volevo dire e che fosse arrivato il momento di voltare pagina. Questo accadde nel 1981 con la pubblicazione della mia prima monografia, [...] quando percepii il rischio di diventare simile a un attore caratterista che recita sempre la stessa parte. Ripensandoci, mi fa piacere che Leonardo non mi abbia mai lasciato andare e che continui ad avanzare coinvolgenti richieste postume a coloro che si confrontano con lui." - MARTIN KEMP
Living with Leonardo
Living with Leonardo is a set of highly focused memoirs, a personal journey interwoven with historical research that encapsulates the authors relationship with Leonardo da Vinci over more than half a century. We learn of his encounters with the vast population that surrounds Leonardo: great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors and pseudohistorians and fantasists; but also how he has grappled with swelling legions of Leonardo loonies, walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Kemp leads us through his thinking on ...
The Art Public
A brief intellectual history of the idea of the art public. The Art Public explores the history of efforts to imagine a collective, general audience for art in the world. Oskar Bätschmann explores both written and pictorial evidence of the development of the “art public” as an idea and disentangles connections between art production, audiences, and actual reception. Two aspects shape the narrative: the transformation of the audience from passive recipient to active agent as well as satirical jabs at audiences by the likes of Cruikshank, Rowlandson, and Daumier. This sweeping account connects the ancient Greeks with Renaissance painters, modern writers, and contemporary movie stars in a deft survey of the ways we imagine art’s immediate impact on audiences and its afterlives in museums, galleries, and the world.
