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A revolutionary, entertaining and readable rewriting of the history of the novel. This edition does not include illustrations.
In ancient Athens, the great philosopher applies logic to a lethal crime—in the “eminently enjoyable” first novel in a historical mystery series (Colin Dexter, author of the Inspector Morse Mysteries). Young Stephanos is desperate to save his family’s honor by proving in the Athenian court that his exiled cousin is not guilty of shooting an arrow into a prominent patrician. For help, he turns to his old teacher—the cunning and clever thinker known as Aristotle. It will all lead up to a tense public trial in which Stephanos must draw on the rhetorical skills he’s learned from his eccentric, brilliant mentor, in this novel filled with suspense, humor, and historical detail—the first in a series of “witty, elegant whodunits” (Times Literary Supplement). “[An] unusually authentic Ancient-Greece murder tale.”—Kirkus Reviews “Doody brings the Athens of 322 BC to life with skill and verve…wonderfully plotted.”—Publishers Weekly
In this journey through the work of artists and the writings of travelers who have been both smitten and repelled by the influence of Venice, Margaret Doody explores ways in which this is a city profoundly unlike any other on earth—and one that simultaneously unsettles and reveals many of our most deeply rooted cultural values.
Jane Austen took a particular delight in the resonance of names, and in her novels she used the names of people and places as a potential source of meaning, satirical or historical. Margaret Doody s book is a learned and enjoyable investigation of this aspect of Austen s art. Doody tells us that Austen preferred first names in common and traditional English use, though these sometimes acquire a subtly new flavor in her works. Austen also favored the names of saints and of royalty, but she did use some classically derived pagan names, always with a purpose. And Austen would signal political loyalties and allegiances in her novels through the use of names, both first names and last names, as well as place names. In exploring Austen s names and their connotations, Doody has a larger point to make. By uncovering the riddling and punning in Austen s names, as well as Austen s interest in history, Doody casts Austen as a decidedly earthy writer steeped in the particulars of place and time, rather than a timeless novelist writing in an abstemious style. From this attention to names in her work emerges a picture of Austen that is both fuller than we ve had before, and controversial."
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Observations on the principal cities, ports and geographical features, customs, manners, and inhabitants of early eighteenth-century Britain
This edition of the classic novel about the Prince Edward Island orphan contains critical material on the work itself and its author, as well as essays, poems, and songs.
In the winter of 330-329 BC Athens itself suffers a series of alarming thefts and home robberies. It seems that nobody is safe. The great philosopher Aristotle helps his former student Stephanos investigate a break- in and brutal murder at the house of one of his Athenian neighbours. The man fingered for the crime turns against Stephanos just as he is planning his marriage. It is difficult to arrange a big fat Greek wedding when someone seems to be trying to kill you. Elsewhere bodies begin to pile up--who will be bludgeoned or stabbed or strangled next? Stephanos' bride is Philomela. Her parental home is Eleusis, famous for the Sanctuary of Demeter and Persephone, home of the sacred site of...
An interdisciplinary anthology of writing by and about women and the way they talk about themselves and allow others to talk about them in ways that are sometimes liberating, sometimes incriminating, but always fraught with questions of personal, and therefore political, power. Some topics include the concept of representation in the law; race and essentialism in feminist legal theory; and representing the lesbian in law and literature. Lacks an index. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift s life and works. As well as ensuring a broad coverage of Swift s writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift s vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises new questions about Swift and his world. The volume features a detailed chronology and a guide to further reading.