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"Writing with erudition and a broad grasp of the history of social thought, Hodgen demonstrates the debt owed to the period of the late Renaissance and even the centuries prior to that."—American Anthropologist
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
In The Spatial Reformation, Michael J. Sauter offers a sweeping history of the way Europeans conceived of three-dimensional space, including the relationship between Earth and the heavens, between 1350 and 1850. He argues that this "spatial reformation" provoked a reorganization of knowledge in the West that was arguably as important as the religious Reformation. Notably, it had its own sacred text, which proved as central and was as ubiquitously embraced: Euclid's Elements. Aside from the Bible, no other work was so frequently reproduced in the early modern era. According to Sauter, its penetration and suffusion throughout European thought and experience call for a deliberate reconsideratio...
This collection of original essays by scholars from a diverse range of fields, examines issues of race in a variety of historical and geographical settings, ranging from classical Greece to the contemporary Americas, Europe and Asia. The authors provide an important perspective on race both in its theoretical origins and in its actual appearances while paying close attention to the ways in which the study of race itself has been carried on or ignored by various disciplines.
Selected by Choice magazine as an Outstanding Academic Title Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use—and subversion—of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society.
Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.
"Since the Bible left little room for speculation on prehistory - in fact, no room at all for the concept itself - this study concentrates on myth and legend outside of the biblical context and on those who conjured prehistory out of these sources. A subtle conflict between belief and skepticism emerges from these pages, as Ferguson reveals how some Renaissance writers struggled with the ancient explanations that flouted reason and experience, while others sidestepped such doubts by relating prehistory to man's social evolution. By isolating and analyzing such topics as euhemerism (the interpretation of myths as traditional accounts of historical events and persons), skepticism, rationalism, and poetic history, Ferguson clarifies Renaissance attempts to find in poetic expression a way of "mediating" between a version of the past preserved in myth and legend and one that might square with historical scholarship." "Written in an accessible and eloquent style, Utter Antiquity illuminates the development of historical consciousness in early modern England, and, in doing so, contributes significantly to an understanding of the Renaissance mind."--BOOK JACKET.
Writing the history of American archaeology, especially concerning eighteenth and nineteenth-century arguments, is not always as straightforward or simple as it might seem. Archaeology's trajectory from an avocation, to a semi-profession, to a specialized, self-conscious profession was anything but a linear progression. The development of American archaeology was an organic and untidy process, which emerged from the intellectual tradition of antiquarianism and closely allied itself with the natural sciences throughout the nineteenth century--especially geology and the debate about the origins and identity of indigenous mound-building cultures of the eastern United States. Terry A. Barnhart e...
An investigation of Germany and the Middle East through literary sources, in the context of social, economic, and political practices
When the English settlers arrived in Virginia in 1607 they carried with them a fully developed mythology about native Indian cultures. This mythology was built around the body of English writing about America that began to appear in the 1550s, prior to any significant contact between the English and the native groups, and was founded upon the assumption of the savagism of the Indian and the civility of European culture. Professor Sheehan argues that English commitment to this myth was at the root of the violence that broke out almost immediately between the settlers and the Indians. On the one hand, the Indians were seen as noble savages, free from and innocent of the deficiencies of European society. But as ignoble savages they were seen as immature, even bestial, lacking the civilising and ordering social structure that characterised European culture. Whichever perspective was adopted, this mythology was a product of the white man's world, developed without accurate information about Indian culture. This mythology justified both the exploitation that came to characterise settler-native relations and the inevitability of the violence that culminated in the massacre of 1622.