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The signs were there. Her husband was distant. Angry. He withdrew if she so much as lightly brushed his shoulder. Still, nothing prepared Margherita Gale Harris for the day when Mark -- a physician and Episcopal priest -- confessed to having sexual encounters with hundreds of strangers.
On the outside, I remained poised and collected. Within, I searched for answers . . . The signs were there. Her husband was distant. Angry. He withdrew if she so much as lightly brushed his shoulder. Still, nothing prepared Margherita Gale Harris for the day when Mark -- a physician and Episcopal priest -- confessed to having sexual encounters with hundreds of strangers. They both sought counseling, to no avail. Faced with his shocking betrayal, Gale wondered if their entire marriage was a lie. Could she forgive Mark for lying? Could she forgive herself for staying so long? More secrets were revealed. Divorce ended thirty-five years of marriage. Her lawyer said, see your bishop. The road to recovery was treacherous and filled with surprises. Support came from numerous individuals: new friends and former classmates . . . and the daughter she’d placed for adoption many years ago.
In his unforgettable debut novel, Eck puts readers inside the mind of a confused young soldier caught in the fog of unexpected warfare. Josh, a young soldier, and his "battle buddies" are left to wander in hostile territory, to face violent encounters that leave only a few of them alive.
His story begins with the arrival of his father, Howard Kantner, to the remote Arctic of the 1950s and ends with him as a grown man settled in the same landscape. Through a series of moving essays and vivid photographs, ranging in subject from family histories to hunting stories, celebrations of people and places to a lament over a majestic wilderness rapidly disappearing, Shopping for Porcupine provides a compelling, intimate view of America's last frontier -- the same place that captivated so many readers of Ordinary Wolves.
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In these edgy, elegant poems, Eireann Lorsung seeks balance in her world between the need for permanence and the heady seductiveness of the moment. Her intuitive knowledge of poetic form (line breaks, enjambment, repetition, punctuation) and her strong poetic voice channel some of the genre's greats while remaining distinctive. From the prayer-like musicality of "All Through the Night," to the visually dynamic "Oceanside," to the theatrical "Bird Woman, Duck Hunting," these poems exhibit a visceral creativity that establishes the author as a major new voice in the field.