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The first major biography of Glenn Gould to stress the critical influence of the Canadian context on his life and art Glenn Gould was not, as has previously been suggested, an isolated and self-taught eccentric who burst out of nowhere onto the international musical scene in the mid-1950s. He was, says Kevin Bazzana in this fascinating new full-scale biography, very much a product of his time and place – and his entire life and diverse work reflect his Canadian heritage. Bazzana, editor of the international Glenn Gould magazine, throws fresh light on this and many other aspects of Gould’s celebrated life as a pianist, writer, broadcaster, and composer. He portrays Gould’s upbringing in...
Contains transcripts of records for baptisms, 1858-1946; marriages, 1859-1923; and burials, 1872-1935.
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WINNER - Prix du livre d’Ottawa 2016 WINNER - Prix Jean-Éthier-Blais 2015 WINNER - Prix Gabrielle-Roy 2014 FINALIST - Prix littéraire Trillium 2015 From the founding of New France to the present day, Quebec women have had to negotiate societal expectations placed on their gender. Tracing the evolution of life writing by Quebec women, Patricia Smart presents a feminist analysis of women’s struggles for autonomy and agency in a society that has continually emphasized the traditional roles of wife and mother. Writing Herself into Being examines published autobiographies and autobiographical fiction, as well as the annals of religious communities, letters, and a number of published and unp...
The award-winning author of Wondrous Strange, the critically acclaimed biography of Glenn Gould, explores the bizarre, untold life of another brilliant and eccentric musician. The composer Arnold Schoenberg called him an “utterly extraordinary” pianist of “incredible originality and conviction,” yet today he is all but forgotten. Born in Budapest in 1903, Ervin Nyiregyházi (nyeer-edge-hah-zee) was a remarkable prodigy: at eight he performed at Buckingham Palace, and when he was thirteen a psychologist published a book about him. In his teens, his idiosyncratic, intensely Romantic playing electrified audiences and astounded critics in Europe and America. But his adult career quickly ...
When the British arrived in Winnipeg in the 1800s it was convenient for the men to take Metis wives. They were called a la vacon du pays – according to the custom of the country. These women bore the brunt of ensuring survival in the harsh environment. Without them the British army and fur traders would not have survived the brutal winters. However, as society evolved it became accepted that wives must be white, schooled in British ways, fashionable in the European sense and married by the Anglican church. The Metis wives and their ‘country born’ offspring were thrown out and forced to fend for themselves. The unrepentant husbands continued to live comfortably with their ‘new’ wives. It was inevitable that some discarded wives did not accept their fate quietly and hard feelings on both sides were unavoidable. When the bodies of two discarded Metis wives, Marguerite and Marie-Anne, are found floating in the Red River, Guilliame Mousseau, sets out to get to the bottom of his sister Margueite’s murder.