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Cultural Identity in the Ancient Mediterranean
Cultural identity in the classical world is explored from a variety of angles.
Theology as History, History as Theology
This monograph explores the theology of the Acts of the Apostles while taking seriously the status of the writing as ancient historiography: What does it mean to speak of theology in a historiographical work? How can this theology be apprehended? What does this theology have to do with the overall character of the writing and with how the writing functioned for its original audience? Acts 19 is both, case study and source to generate the answers.
Asia Minor
Preliminary material -- SYRIA ET COMMAGENE -- CAPPADOCIA -- GALATIA -- PHRYGIA -- PONTUS ET PAPHLAGONIA -- BITHYNIA -- MYSIA ET TROAS -- LYDIA -- AEOLIS ET IONIA -- CARIA -- LYCIA ET PAMPHYLIA -- PISIDIA ET ISAURIA -- LYCAONIA -- CILICIA -- MONUMENTA IN ASIA MINORE LOCIS IGNOTIS REPERTA -- PHOENICIA -- PALAESTINA -- MESOPOTAMIA -- BACTRIANA -- INDICES -- ACKNOWLEDGEMENTS OF THE PLATES -- Plates I-CXCIX and a folding mappages.
Art and Rhetoric in Roman Culture
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from visual material. This book mines this rich seam of theoretical analysis from within Roman culture to present an internalist model for some aspects of how the Romans understood, made and appreciated their art. The understanding of public monuments like the Arch of Titus or Trajan's Column or of imperial statuary, domestic wall painting, funerary altars and sarcophagi, as well as of intimate items like children's dolls, is greatly enriched by being placed in relevant rhetorical contexts created by the Roman world.
The Learned Collector
The first empire-wide study to examine the eclectic marble statuettes collected and displayed by the wealthiest Roman aristocrats
Power and Place
Archaeological, epigraphic, numismatic, and historical research is used to illuminate the meaning and function of temples in both Jewish and Greco-Roman cultures. This evidence is then brought into a dialogue with a literary analysis of how the temple functions as a symbol in Revelation.
The Governor and his Subjects in the Later Roman Empire
This book presents new insights into the dynamics of the relationship between governors and provincial subjects in the Later Roman Empire, with a focus on the provincial perspective. Based on literary, legal, epigraphic and artistic materials the author deals with questions such as how provincials communicated their needs to governors, how they expressed both their favorable and critical opinions of governors’ behavior, and how they rewarded ‘good’ governors. Provincial expectations, a continuous dialogue, interdependence, reciprocity, and ceremonial routine play key roles in this study that not only leads to a better understanding of Late Roman provincial administration, but also of the successful functioning of an empire as large as that of Rome.
Patrons and Viewers in Late Antiquity
The monumentality and the often rich embellishment of late antique buildings and monuments emphasises their importance to the patrons that commissioned them. However, the understanding and interpretation of the message conveyed may often be obtained through the study of the other important agent, namely the viewer. This book contains a collection of papers that focuses on the way patrons, pagan as well as Christian, conveyed messages through material and visual culture and on the reception by the viewers. The contributions investigate how patrons of luxurious buildings, elaborate grave monuments, and churches used architecture, images, and inscriptions to demonstrate political, social, and religious power. The visual arts were a strong factor in communicating identity and attitudes both in the public and private spheres also in Late Antiquity.
Dangerous Beauty: Medusa in Classical Art
Medusa, the monstrous Gorgon of Greek mythology whose gaze turned beholders to stone, became increasingly anthropomorphic and feminine beginning in the fifth century B.C. A similar transformation occurred in representations of other female half-human beings from Greek myth, such as sphinxes, sirens, and the sea monster Scylla. Believed to have protective powers, these mythical hybrid creatures were frequently employed on sepulchral monuments, sacred architecture, military equipment, drinking vessels, and the luxury arts. Their metamorphosis was a consequence of the idealizing humanism of Greek art of the Classical period (480–323 B.C.), which understood beauty as the result of harmony and ideal proportions, a concept that influenced not only the representation of the human body but also that of mythological beings. “Dangerous Beauty: Medusa in Classical Art,” on view at The Met until January 6, 2019, is organized by Kiki Karoglou, Associate Curator in the Department of Greek and Roman Art, who is also the author of this Bulletin. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
