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Krinoi Kai Limenes
Joseph and Maria Shaw received the Archaeological Institute of America's Gold Medal for a lifetime of outstanding achievement in January of 2006. This volume is a collection of the papers presented at the Gold Medal Colloquium held in their honour during the 2006 Annual Meeting of the Archaeological Institute of America in Montreal, Quebec. Additional articles have also been written for this volume. Many of the articles pertain to different aspects of Aegean Bronze Age architecture, harbors, frescoes, and trade, which are all keen interests of the Shaws.
Krinoi kai Limenes
Joseph and Maria Shaw received the Archaeological Institute of America's Gold Medal for a lifetime of outstanding achievement in January of 2006. This volume is a collection of the papers presented at the Gold Medal Colloquium held in their honor during the 2006 Annual Meeting of the Archaeological Institute of America in Montreal, Quebec. Additional articles have also been written for this volume. Many of the articles pertain to different aspects of Aegean Bronze Age architecture, harbors, frescoes, and trade, which are all keen interests of the Shaws.
Kommos: An Excavation on the South Coast of Crete, Volume I, Part II
Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbortown. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and indsutries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is ...
Kommos
Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbor town. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and industries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is...
Charis
Consists of 20 chapters in 2 parts; pt. 1 contains chapters on Aegean prehistory and the East and pt. 2 contains chapters on classical Greece, Etruria, and Rome.
Kommos
To celebrate thirty years of excavation, the director of the University of Toronto excavations at Kommos presents a personal view of the site and the archaeological investigations that have transformed our understanding of what daily life for more humble members of the Bronze Age population may have been like.
The Oxford Handbook of the Bronze Age Aegean
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections...
Painting in Stone
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
Kommos: An Excavation on the South Coast of Crete, Volume I, Part II
Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbortown. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and indsutries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is ...
