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'The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, fro...
Wie stellte man in verschiedenen kulturellen Kontexten Wissen her? Welche zeitlichen Veränderungen und räumlichen Spezifi ka prägten den Umgang mit Wissen? Wie wurde Information gespeichert, verarbeitet, geordnet, angewandt und aufbereitet, aber auch zerstört und vergessen? Was galt überhaupt als Wissen und für wen? Wie veränderten sich die Antworten darauf im globalen Kontext? Diese Fragen stehen im Zentrum der Reihe, vorwiegend mit Blick auf eine ›lange‹ Frühe Neuzeit.
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
Global goods were central to the material culture of eighteenth-century country houses. Across Europe, mahogany furniture, Chinese wallpapers and Indian textiles formed the backdrop to genteel practices of drinking sweetened coffee, tea and chocolate from Chinese porcelain. They tied these houses and their wealthy owners into global systems of supply and the processes of colonialism and empire. Global Goods and the Country House builds on these narratives, and then challenges them by decentring our perspective. It offers a comparative framework that explores the definition, ownership and meaning of global goods outside the usual context of European imperial powers. What were global goods and...
O presente volume publica as Atas do Iº Encontro Internacional “Pensar o Barroco em Portugal” (26-28 de Junho de 2017), que se ocupou do pensamento metafísico, ético e político de Francisco Suárez. Contando com a colaboração de alguns dos maiores especialistas internacionais na obra e no pensamento deste famoso professor da Universidade de Coimbra no século XVII, este volume celebra os 400 anos da sua morte e assinala a produtividade do seu legado filosófico-teológico.
Esta obra reúne um conjunto de textos, resultantes das comunicações apresentadas no colóquio comemorativo dos 600 anos da criação da Província de Portugal da Ordem dos Pregadores (Dominicanos), que decorreu no Palácio Fronteira e no Convento de São Domingos em Lisboa. Dito colóquio, pela sua dimensão – não só em termos de número de conferências, mas principalmente na multiplicidade de áreas temáticas abrangidas (História, Arte, Literatura, Espiritualidade, Teologia, Missionação, Pedagogia, Semiótica) – destacou a presença dominicana e os rastos deixados por esta em Portugal e no mundo. Conferencistas de diversas universidades do país e do estrangeiro, de diferentes centros de investigação e academias, apresentam abordagens distintas, linhas de investigação recentes e em aberto, com dados inéditos e novas problemáticas.
O Urbanismo levou um século a amadurecer como campo privilegiado de cruzamentos interdisciplinares, essencialmente das ciências sociais. Ao invés do que inicialmente se ensaiou, as tecnologias apenas servem as dinâmicas sociopolíticas de transformação do território que, aliás, se vai (con)fundindo com o urbano. Num esforço de aferimento com esses paradigmas emergentes, também cidade é um conceito em transição. Habitat do homem domesticado, a cidade é um bem de todos e assim uma produção coletiva em mutação constante. Tem vida, o que lhe bloqueia qualquer hipótese de regresso ao passado, embora a história seja a principal matéria da sua teoria, ou seja, da interpretaçã...
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.