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Of Reason and Love
Marie von Ebner-Eschenbach stands out as one of the most unusual Austrian writers of the latter part of the nineteenth and the beginning of the twentieth century. Known as the grande dame of Austrian literature, she started her writing career as a dramatist who had the ambition of becoming a female Shakespeare. She ended it as an aphorist and author of short stories, novellas, and novels. Although she was not a leading figure in the women's movement of the turn of the century, her writings, which were much acclaimed in her maturing years, went a long way toward putting women's literature on an equal footing with the literary output of her male peers in her own native land and abroad.
Marie Von Ebner-Eschenbach
This biography of 19th century Austrian writer Marie von Ebner- Eschenbach examines her childhood in Moravia at Zdislawitz castle, her struggle to become a writer against her aristocratic family's wishes, and her life in Vienna as a recognized and honored writer. The author draws upon published and unpublished sources, including letters and diary entries which were thought to be destroyed, to portray the ambitious and talented von Ebner-Eschenbach as a human being with strengths, weaknesses, quirks, and foibles. Annotation copyrighted by Book News, Inc., Portland, OR
Margaret Ebner, Major Works
The most in-depth and scholarly panorama of Western spirituality ever attempted! In one series, the original writings of the universally acknowledged teachers of the Catholic, Protestant, Eastern Orthodox, Jewish, Islamic and Native American traditions have been critically selected, translated and introduced by internationally recognized scholars and spiritual leaders. The texts are first-rate, and the introductions are informative and reliable. The books will be a welcome addition to the bookshelf of every literate religious persons". -- The Christian Century
The Guises of Modesty
Study of `artist novellas' of 19th-century German woman writer. One hundred years ago Marie von Ebner-Eschenbach (1830-1916) enjoyed within German-speaking countries the stature of a George Eliot, and her style and thematic interests resembled those of her English contemporary. Today, however, her fame has faded, and she is mainly known only to specialists, partly because her 'canon' has shrunk to a few prose works which are more reconciliatory than critical, falsely suggesting her to be a passive, conventional writer: her 'happy endings' have diverted her readers from the critical messages beneath the surface. By close analysis of a variety of works spanning the whole of her career, The Gui...
Marie Ebner
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