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Masters of Shape
This inspiring and beautifully illustrated book chronicles the lives of seventeen pioneering women sculptors who dared to speak their truths about inequality and injustice and overcame obstacles of gender and race in the last hundred and fifty years. The works that these talented artists cast, carved, and molded mirror both their internal worlds and the society surrounding them. There is no better way to inspire young women to fulfill their destiny with courage than to give them these brilliantly brief and cogent portraits of great women who shaped the world of sculpting and through that, our culture, and our world. Ausherman puts the spotlight on women artists simply by celebrating them insightfully, and so well. With many helpful references for additional in-depth readings and beautiful photographs taken by Steven Taylor, this book is a gem for anyone who loves reading how immensely skillful and creative people pursue their passions through the art of sculpture.
The Photographic Legacy of Frances Benjamin Johnston
"One of the first women to work in an emerging field dominated by men, Frances Benjamin Johnston (1864-1952) achieved acclaim in the late nineteenth century as an accomplished photographer. Her career spanned nearly seventy years, during which she became respected for her portraiture, artistic studies, photojournalism, and garden and architectural photography. She was instrumental in defining the medium and inspiring women to train in and appreciate photography. Though the socially well-connected Johnston was popular among prestigious celebrities of the day - she worked as the official White House photographer for five administrations - it is her monumental, nine-state survey of southern American architecture that stands as her most significant contribution to the history and development of photography both as art and as documentary. Drawing upon Johnston's original papers and photographs from the Library of Congress, Maria Ausherman's examination of this extraordinary photographer's career shows both the early origins of her style and vision and her attempts to change society through her art"--
Georgia O'Keeffe's Hawai'i
Reproduces O'Keeffe's 20 Hawai'i paintings, plus 50 period and locational photographs.
Behind the Camera
Gertrude Kasebier (1852-1934) -- Frances Benjamin Johnston (1864-1952) -- Alice Austen (1866-1952) -- Zaida Ben-Yusuf (1869-1933) -- Anne Brigman (1869-1950) -- Jessie Tarbox Beals (1870-1942) -- Bayard Wootten (1875-1959) -- Doris Ulmann (1882-1934) -- Imogen Cunningham (1883-1976) -- Elise Forrest Harleston (1891-1970) -- Laura Gilpin (1891-1979) -- Dorothea Lange (1895-1965) -- Berenice Abbott (1898-1991) -- Margaret Bourke-White (1904-1971) -- Helen Levitt (1913-2009) -- Carrie Mae Weems (b. 1952).
Picturing Black New Orleans
The visual legacy of Florestine Perrault Collins, who documented African American life in New Orleans Florestine Perrault Collins (1895-1988) lived a fascinating and singular life. She came from a Creole family that had known privileges before the Civil War, privileges that largely disappeared in the Jim Crow South. She learned photographic techniques while passing for white. She opened her first studio in her home, and later moved her business to New Orleans’s Black business district. Fiercely independent, she ignored convention by moving out of her parents’ house before marriage and, later, by divorcing her first husband. Between 1920 and 1949, Collins documented African American l...
Southern Studies
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Painters in Paradise
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Nagisa Oshima
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Earline's Pink Party
In Earline’s Pink Party Elizabeth Findley Shores sifts through her family’s scattered artifacts to understand her grandmother’s life in relation to the troubled racial history of Tuscaloosa, Alabama. A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview. Set against a fully drawn background of geography and culture a...
