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Showcases the world's largest collection of jewelry, artistic glass, and other works by the turn-of-the-twentieth-century artist, in a catalog that offers insight into the breadth of Lalique's achievements.
The volume "Revisiting Hormuz", gathers the proceedings of a Conference organized in March 2007 by the Calouste Gulbenkian Foundation, through its Centre Culturel Calouste Gulbenkian in Paris. The year 2007, exactly five centuries after the Portuguese first landed on the island of Hormuz, seemed to the scientific coordinators Rui Manuel Loureiro and Dejanirah Couto a very appropriate moment to bring together a large group of specialists that could establish the current state of the art in field of the history of Portuguese interactions with Hormuz and the Persian Gulf region. The chronological borders of the Conference, quite naturally, were extended to the early decades of the 17th century,...
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
The present volume offers an overview of collecting and displaying Islamic art during the long nineteenth century. A section of the volume focuses on the figure of the Swiss collector Henri Moser Charlottenfels. Special attention is given to little-known collections in Eastern Europe and beyond. L’ouvrage fournit un panorama du collectionnisme d’art islamique au cours du long XIXe siècle, en mettant l’accent sur la figure d’Henri Moser Charlottenfels et des collections méconnues situées en Europe central, et au-delà.
An annotated index and general orientation of Islamic art collections in museums, libraries, other institutions and on private hands. Includes a short description of each collection, its main characteristics, documentation, publications and exhibitions.
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.