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Renaissance de L'enluminure Médiévale
KADOC Artes 8The art of illumination, usually associated with the Middle Ages, experienced a spectacular revival in nineteenth-century Western Europe. This completely different context gave the illuminations another import. The output of the lay and religious workshops reveals a great artistic, stylistic, technical, and thematic diversity. The works illuminated go far beyond the world of exceptional and precious manuscripts and include many occasional documents and devotional images.Richly illustrated with unpublished masterworks, The Revival of Medieval Illumination is an overview of the form by fifteen authors who do not limit their approach to the traditional questions of art history. Rather, they explore the historical, sociocultural, ideological and religious components of the revival, which changed according to time and country, in order to understand the evolution and success of the art of illumination in the long nineteenth century.
Ethnic Expositions in Italy, 1880 to 1940
Comprehensively analyzing for the first time the phenomenon of ethnic living expositions in Italy between the 19th and 20th centuries, this book deals with the subject from a comparative European perspective and over the long term, studying analogies and differences in precedents as far back as the early modern age. The research, which seeks to go beyond the simplistic concept of "human zoos," intends to highlight the intentions, assumptions, and mechanisms of realization of the exhibitions of exotic living humans and the reactions from both the exhibited subjects and the public, exploiting a wide variety of heterogeneous sources capable of bringing out a kind of widespread popular ethno-ant...
The Collection
"The Collections" is the official catalogue of the permanent collection of the Museum of Contemporary Art, which is housed in Turin's Rivoli Castle. This castle was commissioned in 1718 by the king of Italy and has been home to the Museum's splendid contemporary collection since 1984. Some of the artists represented are Carla Accardi, Pier Paolo Calzolari, Luciano Fabro, Lucio Fontana, Richard Long, Claes Oldenburg, Tony Cragg and James Lee Byars. Each reproduced work is accompanied by biographical information that situates each artist historically.
Adaptions
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Architecture for the Shroud
The famed linen cloth preserved in Turin Cathedral has provoked pious devotion, scientific scrutiny, and morbid curiosity. Imprinted with an image many faithful have traditionally believed to be that of the crucified Christ "painted in his own blood," the Shroud remains an object of intense debate and notoriety yet today. In this amply illustrated volume, John Beldon Scott traces the history of the unique relic, focusing especially on the black-marble and gilt-bronze structure Guarino Guarini designed to house and exhibit it. A key Baroque monument, the chapel comprises many unusual architectural features, which Scott identifies and explains, particulary how the chapel's unprecedented geomet...
A Companion to Italian Constitutional History (1804-1938)
'This is the first account in English of the making of Italian nationhood from the perspective of constitutional history. It is also the first to consider the role that the House of Savoy played in this process. Bringing together influential experts in the field, the collection covers the evolution of the Italian constitution from Russian diplomacy’s little-known planning of the Risorgimento to the monarchy’s demise after its clashes with fascism. Combining systematic coverage with original research, the volume includes such varied themes as the king’s role in the Italian wars of independence, the Italian peninsula’s forgotten charters of 1848, and the story of the ephemeral building that housed the first Italian parliament. Contributors are: Carolina Armenteros, Andrea Ungari, Paolo Colombo, Frans Willem Lantink, Christian Satto, Giulio Stolfi, Valentina Villa, Tommaso Zerbi, and Romano Ferrari Zumbini.
The Colours of Rome
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Attis, Between Myth and History
This volume deals with the figure of Attis and aims to reconsider the mythical and cultic information about this character, studying the processes of "construction" and "reconstruction" that contributed to the moulding of the different forms of Attis that developed as a result of various demands within different (Anatolian, Greek, Roman) cultures.
