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Os direitos autorais das artes indígenas são objeto de disputa e desafiam o sistema jurídico de proteção. Os fundamentos da legislação autoral internacional e brasileira têm sua origem no pensamento iluminista e acompanham o desenvolvimento da sociedade capitalista. Os focos na criação individual e na obra original materializada em suporte tangível distanciam a proteção dos autores e expressões culturais indígenas, que oferecem outras possibilidades autorais, de cunho mais coletivo, e apresentações estéticas e ontológicas mais plurais. Na insuficiência da legislação autoral, o livro busca compreender os desafios existentes nos campos jurídico e artístico à proteção autoral dos sujeitos indígenas individuais e coletivos e investigar a possibilidade de o direito brasileiro responder, de forma sistemática, por meio da interpretação constitucional e de direitos humanos, aos direitos autorais indígenas. É, assim, um convite para conhecer o universo das artes indígenas e pensar o direito a partir de cosmovisões diversas.
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This Clinical Practice Guideline presents recommendations and summarizes the supporting evidence for pressure ulcer prevention and treatment. The first edition was developed as a four year collaboration between the National Pressure Ulcer Advisory Panel (NPUAP) and the European Pressure Ulcer Advisory Panel (EPUAP). In this second edition of the guideline, the Pan Pacific Pressure Injury Alliance (PPPIA) has joined the NPUAP and EPUAP. This edition of the guideline has been developed over a two year period to provide an updated review of the research literature, extend the scope of the guideline and produce recommendations that reflect the most recent evidence. It provides a detailed analysis and discussion of available research, critical evaluation of the assumptions and knowledge in the field, recommendations for clinical practice, a description of the methodology used to develop the guideline and acknowledgements of the 113 experts formally involved in the development process.
Essays on aspects of the natural world, its heritage, and how best to preserve it. Europe's engagement from the late sixteenth century onwards in scientific Earth science inquiry has generated numerous and varied collections of minerals, rocks, and fossils, together with their associated archives, artworks and publications, forming a rich cultural geoheritage held in major private and especially royal and aristocratic collections, museums, universities, archives and libraries. The mines, quarries, geological structures, landforms, minerals, rocks and fossils - or geodiversity - that underpin these collections populate past and present-day Earth science literature. However, for too long their...
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