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An ambitious critical account of "spectral realism," a new, politically charged strain of literature, film, and art that responds to Colombia's drug wars, paramilitary violence, and resulting demands for justice.
Reveals how Spanish film musicals, long dismissed as unworthy of critical scrutiny, illuminate Spain's relationship to modernity
Cover -- Copyright -- Contents -- List of Figures -- Acknowledgments -- Introduction: Film, Religion, and the Desarrollismo Period -- 1 Lighting Sainthood in the Time of Technocracy -- 2 Praying for Development in Post-Vatican II Comedies -- 3 Gender and Modernization in Nun Films -- 4 Narratives of Suspicion: Religion in the Nuevo Cine Español -- Conclusion: Spanish Cinema at the Intersection of Religion and Politics -- Notes -- Filmography -- Works Cited -- Index
La representación de la mujer andaluza permanece aún hoy con los mismos rasgos que, desde su inicio, permitieron su asunción por parte del público. La imagen de Andalucía está vinculada a la novela de los viajeros románticos aunque el medio cinematográfico fue el que contribuyó decisivamente a la fijación de los estereotipos vinculados a lo andaluz. Folclórica y rebelde son dos términos que se han atribuido a la imagen de la mujer andaluza en el cine español. Las autoras dividen su estudio en tres capítulos en los que analizan el contexto histórico y los condicionantes que determinan la evolución del cine español de cada una de esas épocas. Aunque las películas parezcan ser un simple reflejo de la imaginación de sus creadores, siempre están condicionadas por el clima social vigente del momento en el que son realizadas.
This collection of essays analyzes shifting notions of self as represented in films and novels written and produced in Spain in the twenty-first century. In doing so, the anthology establishes an international dialogue of multicultural perspectives on trends in contemporary Spain, and serves as a useful reference for scholars and students of Spanish literature and cinema. The primary avenues of exploration include representations of recovery in post-crisis Spain, marginalized texts and identities, silenced subjectivities, intersecting relationships, and spaces of desire and control. The individual chapters focus on major events, such as the global economic crisis, the tension between majority and minority cultures within Spain, and the ongoing repercussions of past trauma and historical memory. In doing so, they build upon theories of identity, subjectivity, gender, history, memory, and normativity.
The present work corresponds to a compilation of independent contributions in the fields of endocrinology, immunity, cancer, neurobiology, and myology. Revision of current advances as well as novel findings in the form of original articles are presented in a balanced fashion. The book has been divided into three sections in line with the main subject: Molecular pathology of immune, inflammatory, and hemostatic disorders; Molecular pathology of endocrine and muscular disorders; and Molecular pathology of cancer: determinants and potential therapies. In the first section, contributing authors take the reader through the molecular pathology of immune responses, inflammation, and hemostasis, by ...
Popular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture. As a pioneering study in this field, the chronologically structured approach of this book provides readers with a complete overview of Spanish music and connects it to the complex historical events that conditioned Spanish culture throughout the 20th century to the present day, from the Second Republic, the Spanish Civil war, and the dictatorship through to democracy. The book enables an understanding of the relationships between the recording an...
The Routledge Handbook to Spanish Film Music provides a significant contribution to the research and history of Spanish film music, exploring the interdependence and ways in which discourses of sound and vision are constructed dialogically in Spanish cinema, with contributions from leading international researchers from Spain, the USA, the UK, France and Germany. Offering a multifocal and multidisciplinary study between related areas such as music studies, film studies and Spanish cultural studies, this book is divided into four sections, covering the early years of Spanish cinema; the 1940s and 1950s in Spanish cinema—the first decades of the Franco dictatorship; the importance of Fraga I...
Roving vigilantes, fear-mongering politicians, hysterical pundits, and the looming shadow of a seven hundred-mile-long fence: the US–Mexican border is one of the most complex and dynamic areas on the planet today. Hyperborder provides the most nuanced portrait yet of this dynamic region. Author Fernando Romero presents a multidisciplinary perspective informed by interviews with numerous academics, researchers, and organizations. Provocatively designed in the style of other kinetic large-scale studies like Rem Koolhaas's Content and Bruce Mau’s Massive Change, Hyperborder is an exhaustively researched report from the front lines of the border debate.
Early modern European thought held that men and women were essentially the same. During the seventeenth century, medical and legal arguments began to turn against this ‘one-sex’ model, with hermaphroditism seen as a medieval superstition. This book traces this change in Iberia in comparison to the earlier shift in thought in northern Europe.