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Inventory of the Lettere E Scritture Turchesche in the Venetian State Archives
As well as the well-known inventory written by Maria Pia Pedani Fabris in 1994, I "Documenti Turchi" dell Archivio di Stato di Venzezia>, this book is based on the work by Alessio Bombaci from the 1940s. Pedani s work is an academic inventory of the documents in the archives "Lettere e Scritture Turchesche" kept in the Venetian State Archives. It describes in detail 822 documents from the first half of the 16th century until the first half of the 17th century. Part of the documents are Ottoman originals, part are Italian translations. They deal above all with commercial affairs. There are "name-i h mayuns," but also letters of "beylerbeyis" and "sancakbeyis" of the Balkan regions and of other lower Ottoman officials.
The Qur’an in Rome
Despite its relevance to the subsequent development of Western Islamic studies, the intellectual contribution of early modern Catholicism is still an under-researched area. The aim of this volume is to fill this gap, offering a series of essays dealing with the study of the Qur’an and Arabic language in early modern Catholic Europe. Focusing on the circulation of manuscripts, translations and printed books, the essays highlight how Catholic Orientalism contributed to the birth and spread of Western Islamic studies, although sometimes it was still directed towards religious polemics. Among the protagonists of this period of Islamic studies, the volume will focus on Catholic priests, mission...
Venice and the Islamic World, 828-1797
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinatin...
The Sultan's Renegades
The figure of the renegade - a European Christian or Jew who had converted to Islam and was now serving the Ottoman sultan - is omnipresent in all genres produced by those early modern Christian Europeans who wrote about the Ottoman Empire. As few contemporaries failed to remark, converts were disproportionately represented among those who governed, administered, and fought for the sultan. Unsurprisingly, therefore, renegades have attracted considerable attention from historians of Europe as well as students of European literature. Until very recently, however, Ottomanists have been surprisingly silent on the presence of Christian-European converts in the Ottoman military-administrative elit...
Trading Nations
The unfolding of this relationship reveals new perspectives on the history of sixteenth-century Venice, on the social and economic history of the Jews, and on the history of the Ottoman Empire in its prime.
Gefangenenloskauf im Mittelmeerraum
Der Loskauf von Sklaven und Gefangenen hat den Mittelmeerraum von der Antike bis in die Frühe Neuzeit geprägt. Er stellt, eng verbunden mit der Geschichte der Sklaverei, nicht nur verschiedene Facetten des Bemühens um deren Beseitigung dar, sondern ist darüber hinaus auch selbst ein entscheidender Bestandteil verschiedener Konflikt- und Beziehungsgeschichten. Die vierzehn Beiträge dieses Sammelbandes, die auf eine von der DFG geförderte internationale Tagung im September 2013 in Paderborn zurückgehen, betrachten die Thematik erstmalig unter der vorrangigen Fragestellung nach der Bedeutung von Religion. Sie untersuchen epochenübergreifend und aus jüdischer, christlicher und muslimisc...
"The Turk and Islam in the Western Eye, 1450?750 "
Unprecedented in its range - extending from Venice to the New World and from the Holy Roman Empire to the Ottoman Empire - this collection probes the place that the Ottoman Turks occupied in the Western imaginaire, and the ways in which this occupation expressed itself in the visual arts. Individual essays in this volume examine specific images or groups of images, problematizing the 'truths' they present and analyzing the contexts that shape the presentation of Ottoman or Islamic subject matter in European art. The contributors trace the transmission of early modern images and representations across national boundaries and across centuries to show how, through processes of translation that often involved multiple stages, the figure of the Turk (and by extension that of the Muslim) underwent a multiplicity of interpretations that reflect and reveal Western needs, anxieties and agendas. The essays reveal how anachronisms and inaccuracies mingled with careful detail to produce a "Turk," a figure which became a presence to reckon with in painting, sculpture, tapestry and printmaking.
The Chief Eunuch of the Ottoman Harem
A study of the chief of the African eunuchs who guarded the sultan's harem in Istanbul under the Ottoman Empire.
Venice and the Ottoman Empire
Accompanying a major traveling exhibition, this book examines the unique artistic and cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over a three-hundred-year period. From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture. Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venet...
