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As researchers bring their analytic skills to bear on contemporary archaeological tourism, they find that it is as much about the present as the past. Philip Duke’s study of tourists gazing at the remains of Bronze Age Crete highlights this nexus between past and present, between exotic and mundane. Using personal diaries, ethnographic interviews, site guidebooks, and tourist brochures, Duke helps us understand the impact that archaeological sites, museums and the constructed past have on tourists’ view of their own culture, how it legitimizes class inequality at home as well as on the island of Crete, both Minoan and modern.
Early Minoan Crete is re-envisioned as a space of social innovation, in which change occurred through people and objects.
Archaeology is in crisis. Spatial turns, material turns and the ontological turn have directed the discipline away from its hard-won battle to find humanity in the past. Meanwhile, popularised science, camouflaged as archaeology, produces shock headlines built on ancient DNA that reduce humanity’s most intriguing historical problems to two-dimensional caricatures. Today archaeology finds itself less able than ever to proclaim its relevance to the modern world. This volume foregrounds the relevance of the scholarship of John Barrett to this crisis. Twenty-four writers representing three generations of archaeologists scrutinise the current turmoil in the discipline and highlight the resoluti...
Kavousi I is the initial volume of the Kavousi Excavation Series, which presents the final report of the Kavousi Project, a program of archaeological investigation near the modern village of Kavousi in eastern Crete. Subsequent volumes will publish the results of the 1987-1992 excavations at the Vronda and Kastro sites in the Siteia Mountains overlooking Kavousi and of the cleaning and new study of the excavations of Harriet Boyd in 1900 and 1901. This volume, Kavousi I: The Archaeological Survey of the Kavousi Region, provides a comprehensive look at the topography of the area, its natural resources, and the way in which the local people interacted with them over time, as shown in the changing pattern of settlement. It sets the stage for the report on the excavations and provides an introduction to the local soils and to the pottery classification used by the excavators.
The results of excavations carried out at two Late Minoan III sites at Mochlos in eastern Crete are presented. The stratigraphy and architecture of a total of 31 tombs and 11 houses are discussed together with a complete list of artifacts, ecofacts, and skeletal remains from each context. The cemetery remains mirror the settlement remains, and the conclusions discuss how the two sites reflect each other. Rarely in Crete are a settlement and its cemetery both preserved, and it is extremely fortunate to be able to excavate both.
As a discipline, Archaeology has developed rapidly over the last half-century. The increase in so-called ‘public archaeology,’ with its wide range of television programming, community projects, newspaper articles, and enhanced site-based interpretation has taken archaeology from a closed academic discipline of interest to a tiny minority to a topic of increasing interest to the general public. This book explores how archaeologists share information – with specialists from other disciplines working within archaeology, other archaeologists, and a range of non-specialist groups. It emphasises that to adequately address contemporary levels of interest in their subject, archaeologists must ...
Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary imag...
This volume is the first of two that represent the final publication of Sector I of the Prepalatial to Postpalatial Minoan urban settlement and palace of Petras, Siteia, located in eastern Crete, and it presents the results of the excavations conducted there from 1985 to 2000. Individual chapters focus on the architecture (Tsipopoulou), cooking wares (Alberti), Early Minoan (EM) and Middle Minoan (MM) I pottery (Relaki), a unique example of an EM-MM amphora stamped with a seal prior to firing (Krzyszkowska), numerous miniature vessels and figurines (Simandiraki-Grimshaw), and a study of vessels (primarily Neopalatial) with potter's marks (Tsipopoulou). A subsequent volume will discuss in more detail the Neopalatial and Postpalatial pottery from Houses I.1 and I.2 and focus on the main Neopalatial period of the Petras settlement and its Postpalatial re-occupation.
Mochlos is a Minoan town set on a fine harbour at the eastern side of the Gulf of Mirabello, in northeast Crete. It was first inhabited during the Neolithic period, and it had an important Minoan settlement during most of the Bronze Age. Mochlos I, to be published in three volumes, presents the results of the excavations in the Neopalatial levels of the Artisans' Quarter, and at the farmhouse at Chalinomouri. The Artisans' Quarter consisted of a series of workshops with evidence for pottery manufacture, metalworking, and weaving. Chalinomouri, a semi-independent farmhouse with strong connections to the nearby island settlement at Mochlos, was engaged in craftwork and foodprocessing as well as agriculture. This volume, Mochlos IB, presents the pottery from the site.
Marking the Land investigates how hunter-gatherers use physical landscape markers and environmental management to impose meaning on the spaces they occupy. The land is full of meaning for hunter-gatherers. Much of that meaning is inherent in natural phenomena, but some of it comes from modifications to the landscape that hunter-gatherers themselves make. Such alterations may be intentional or unintentional, temporary or permanent, and they can carry multiple layers of meaning, ranging from practical signs that provide guidance and information through to less direct indications of identity or abstract, highly symbolic signs of sacred or ceremonial significance. This volume investigates the conditions which determine the investment of time and effort in physical landscape marking by hunter-gatherers, and the factors which determine the extent to which these modifications are symbolically charged. Considering hunter-gatherer groups of varying sociocultural complexity and scale, Marking the Land provides a systematic consideration of this neglected aspect of hunter-gatherer adaptation and the varied environments within which they live.