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Up to now, historical research has treated violence mainly with reference to war, murder or massacre. Francisca Loetz argues for a new, complementary approach to history of violence as an interpersonal form of social action experienced as unacceptable behavior and aiming to subjugate the victim in everyday life. Analyzing cases of what the sources call “sexual assault” and “sexual abuse” in the city state of Zurich between 1500 and 1850, Loetz discusses fundamental methodological problems such as: how can violence be defined as a concept? What makes violence what it is in a given society? Why is early modern “sexual assault” and “sexual abuse” not equivalent to modern rape and abuse? How does Zurich compare with pre-modern Europe?
This two-volume set explores what postwar German representations and imaginings of violence in other places and times tell us about Germany.
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"Explores what postwar German representations of violence in other places and times tell us about Germany. Germany's 20th-century history has made imagining and representing violence in German culture especially challenging: it has made certain constructions of violence unspeakable, even unthinkable. As a result, new ways of thinking about violence in postwar German culture are needed. One such approach is critical analysis of "violence elsewhere," that is, representations in literature, art, and film of violence in distant, imagined or temporally distinct times and places. Such representations have offered Germans a stage on which to imagine violence. Moreover, German representations of "vi...
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"A visionary and a madman" was how one British statesman, Lord Carteret, described Theodore von Neuhoff. This exciting biography, Theodore von Neuhoff, King of Corsica: The Man behind the Legend by Julia Gasper, traces the unlikely career of the German baron who in 1736 had himself crowned the King of Corsica. Theodore von Neuhoff's career spanned the entire European continent and his role in the Corsican rebellion against Genoa was as bold and unconventional as everything else in his life. Mixing with royalty, rogues and rabble, he was successively a soldier, secret agent, Jacobite, speculator, alchemist, cabbalist, Rosicrucian, astrologer, fraudster, and spy. He had changed his name severa...
Replete with detailed engravings, this four-volume catalogue was published to accompany the International Exhibition of 1862. Held in South Kensington from May to November, the exhibition showcased the progress made in a diverse range of crafts, trades and industries since the Great Exhibition of 1851. Over 6 million visitors came to view the wares of more than 28,000 exhibitors from Britain, her empire and beyond. Featuring explanatory notes and covering such fields as mining, engineering, textiles, printing and photography, this remains an instructive resource for social and economic historians. The exhibition's Illustrated Record, its Popular Guide and the industrial department's one-volume Official Catalogue have all been reissued in this series. Volume 4 continues to catalogue the Foreign Division. Notable is the appearance of early exhibits from Steinway et Sons in the brief section for the United States. In contrast, Austrian and German exhibits occupy more than 400 pages.
The story of 36 major Eucharistic Miracles from Lanciano, Italy in 800 to Stich, Bavaria in 1970. Details the official investigations. Tells where some are still venerated today. Covers Hosts that have bled, turned to flesh, levitated, etc.; plus, of Saints who have lived on the Eucharist alone. Reinforces the Church's doctrine of the Real Presence of Jesus in the Blessed Sacrament like no other book!