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Emphasizing the voices of activists, this book’s diverse contributors examine communities’ common experiences with environmental injustice, how they organize to address it, and the ways in which their campaigns intersect with related movements such as Black Lives Matter and Indigenous sovereignty. The global COVID-19 pandemic exposed the ways in which BIPOC (Black, Indigenous, People of Color) communities and white working-class communities have suffered disproportionately from the crisis due to sustained exposure to toxic land, air, and water, creating a new urgency for addressing underlying conditions of systemic racism and poverty in North America. In addition to exploring the histori...
Alaska is home to more than two hundred federally recognized tribes. Yet the long histories and diverse cultures of Alaska’s first peoples are often ignored, while the stories of Russian fur hunters and American gold miners, of salmon canneries and oil pipelines, are praised. Filled with essays, poems, songs, stories, maps, and visual art, this volume foregrounds the perspectives of Alaska Native people, from a Tlingit photographer to Athabascan and Yup’ik linguists, and from an Alutiiq mask carver to a prominent Native politician and member of Alaska’s House of Representatives. The contributors, most of whom are Alaska Natives, include scholars, political leaders, activists, and artis...
The story of the early years of Alaska’s largest city, its surprisingly diverse people, and its role in twentieth-century American history. First settled in 1915, Anchorage, in what was then known as the Territory of Alaska, was founded with the American empire in mind. During World War I, it served as a conduit through which coal could be shipped to the Pacific, where the US Navy was engaged with Japan. Years later, during World War II, Anchorage became an equally important site for the defense of the mainland and the projection of American power. City for Empire tells the story of Anchorage’s development in that period, focusing in particular on the international context of the city’s early decades and its surprisingly diverse inhabitants. A thorough yet accessible read, City for Empire captures the history of this remarkable city.
The Middle Tanana Valley in Alaska remains one of the most important regions of the continent for archaeological research. In The Gift of the Middle Tanana: Dene Pre-Colonial History in the Alaskan Interior, Gerad Smith explores the history, ethnography, and archaeological record of the Native people in this region during the late Holocene. Smith creates an interpretive framework informed by Alaskan Native traditions, focusing on traditional place names and the deep-play rituals of reciprocity. Smith sets forth the case that the local themes and oral traditions of the potlatch are better understood not as singular ceremonial events but as a mechanism of regional social cohesion that dictated everyday life. The Gift of the Middle Tanana illustrates how the role of reciprocal deep-play shaped a traditional society that has lasted over a thousand years.
William Hagan’s classic American Indians has become standard reading in the field of Native American history. Daniel M. Cobb has taken over the task of updating and revising the material, allowing the book to respond to the times. Spanning the arrival of white settlers in the Americas through the twentieth century, this concise account includes more than twenty new maps and illustrations, as well as a bibliographic essay that surveys the most recent research in Indian-white relations. With an introduction by Cobb, and a foreword by eminent historian Patricia Nelson Limerick, this fourth edition marks the fiftieth anniversary of the original publication of American Indians.
For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women’s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe...
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In her first book, Blonde Indian, Ernestine Hayes powerfully recounted the story of returning to Juneau and to her Tlingit home after many years of wandering. The Tao of Raven takes up the next and, in some ways, less explored question: once the exile returns, then what? Using the story of Raven and the Box of Daylight (and relating it to Sun Tzu’s equally timeless Art of War) to deepen her narration and reflection, Hayes expresses an ongoing frustration and anger at the obstacles and prejudices still facing Alaska Natives in their own land, but also recounts her own story of attending and completing college in her fifties and becoming a professor and a writer. Hayes lyrically weaves together strands of memoir, contemplation, and fiction to articulate an Indigenous worldview in which all things are connected, in which intergenerational trauma creates many hardships but transformation is still possible. Now a grandmother and thinking very much of the generations who will come after her, Hayes speaks for herself but also has powerful things to say about the resilience and complications of her Native community.
從來就沒有一個觀點可以完整講述所有的故事 我們永遠只能局部觸及他人經驗,「傾聽諸歷史」永遠比「如實講述歷史」更為重要 1911年,「野人」伊許(Ishi)出現在加州一個屯墾者的城鎮,他是族群中唯一的倖存者,被視為「美國最後一位野生印第安人」。人類學家克魯伯為他取了伊許這個名字,將他安置在博物館工作和生活,為參觀者示範雅希人造箭和造弓的技藝。面對舊金山這個現代世界,這位雅希人的態度是好奇與保留參半。至於他感受過哪些恐懼,主要都藏在心裡。1961年,《兩個世界裡的伊許》出版並成為暢銷...