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Urban Governance in the Realm of Complexity
This book discusses the role of urban information systems, public private and community partnerships and co-operation between governmental, NGOs and CBOs, and a concern for participation and self-organization of stakeholders in the urban development process and attention for emerging institutional forms for urban governance in developing countries.
Notes wydawniczy
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Knowledge Structures
First Published in 1986. This book marks a watershed in cognitive science activity at Yale University. Over the past decade, the cognitive science orientation has become more and more integrated into the mainstream of cognitive psychology, and artificial intelligence workers now feel comfortable thinking about psychological experimentation. This book collects in one place the research work which concentrates on covering topics in the representation, processing, and recall of meaningful verbal .materials. Several of the chapters are first reports of research; others are specially prepared reviews and elaborations of research reported previously. Here it is all together: Studies of scripts, plans, and higher-level knowledge structures; analyses of knowledge structure activation, of autobiographical memory, of the phenomenon of reminding, of the summarization of text, of explanations for events, and more.
Kindness To Parents
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Out of Our Minds
"It is often said that education and training are the keys to the future. They are, but a key can be turned in two directions. Turn it one way andyou lock resources away, even from those they belong to. Turn it the otherway and you release resources and give people back to themselves. To realizeour true creative potential—in our organizations, in our schools and in our communities—we need to think differently about ourselves and to actdifferently towards each other. We must learn to be creative." —Ken Robinson PRAISE FOR OUT OF OUR MINDS "Ken Robinson writes brilliantly about the different ways in which creativity is undervalued and ignored . . . especially in our educational systems."...
Baroque and the Political Language of Formalism (1845-1945)
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wolfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wolfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.
Critical Studies of Innovation
Different theories, models and narratives of innovation compete for both legitimacy and authority. However, despite the variations, they all offer a consistent pro-innovation bias, dismissing resistance as irrational, and overlooking the value of non-users and collateral impacts. This book looks at innovation from a different perspective and asks, what has been left out? It offers a reflexive view and invites researchers to consider new avenues of research, through a critique of current representations of innovation.
The Art of Glass
THIS is the first of a series of volumes edited by Professor M. Cable illustrating progress in understanding glass making from the 17th century to the early part of the 19th. Known as THE WORLD'S MOST FAMOUS BOOK ON GLASSMAKING, it was first published, in Italian, in 1612, as L'Arte Vetraria by Antonio Neri who claimed to have experience of glassmaking in several countries and described the best practice of that time, particularly in making coloured glasses. A second edition printed in 1661 made the work more widely known. An English translation by Christopher Merrett MD, one of the early Fellows of the Royal Society, was published in 1662. Merrett added very extensive notes of his own which...
