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The Social Sense of the Human Experience
Why should we wonder about man and the human sense? What are the questions and answers we are seeking? Why should we read the work of Werner Sombart? Or rather, why should we re-read “this” Sombart? This book tracks the human sense in order to rediscover this compass against the current crisis of the humanistic conception of society. This crisis is manifest in a repositioning of society, which is no longer human by definition, in contrast to the past, when the term “human society” was a tautology and redundant. As such, the human element of society must be rediscovered. This book revitalizes the scientific sense of the human, which is almost anesthetized, often frustrated and belittled, sometimes confused and mistaken with something else, frequently misunderstood and made unrecognizable, but, precisely for this reason, which is increasingly essential today.
Logos of Phenomenology and Phenomenology of The Logos. Book Two
The human being is today at the center of scientific, social, ethical and philosophical debates. The Human Condition-in-the-unity-of-everything-there-is-alive, under whose aegis the present selection of essays falls, offers the urgently needed new approach to reinvestigating humanness. While recent advances in the neurosciences, genetics and bio-engineering challenge the traditional abstract conception of "human nature", indicating its transformability, thus putting in question the main tenets of traditional philosophical anthropology, in the new perspective of the Human Creative Condition the human individual is seen in its emergence and unfolding within the dynamic networks of the logos of life, and within the evolution of living types. Just the same, the creative logos of the mind lifts the human person into a sphere of freedom. Within the networks of the logos we retrieve the classical principles – human subject, ego, self, body, soul, person – reinterpret them to counter the naturalistic critique (Tymieniecka). Thus principles of a new philosophical anthropology satisfying the requirements of the present time are laid down.
Time and History
The hypothesis from which this book starts is that the twentieth century has broken the link between time and history, thus producing a twofold consequence. On the one hand, time definitively loses the characteristics of linearity and coherence that it still had in Hegel, and will be conceived in terms of a multiplicity of heterogeneous temporal lines; on the other hand, and consequently, history tends to disappear from the philosophical horizon to give way to theses on a post-historical time, whose main characteristics are stasis, the inability to synthesize incoherent temporalities, the impossibility of producing openings towards the future. However, precisely within the short century – the one in which time has supposedly contracted to the point of expunging history from itself – critical reflections were produced, which, despite the acquisition of scientific and philosophical lessons about the multi- form and reversible nature of time, have recovered a fruitful relation with history in a cumulative and teleological sense.
Azimuth VII (2019), nr. 14. Subjectivity and Digital Culture – Soggettività e cultura digitale
What role does subjectivity play in digital culture? While the 19th century was characterized by print culture and the 20th century by broadcasting culture, we are now experiencing a new paradigm shift: digital technology has radically changed the way we produce (and consume) information, goods, values, social relationships, institutional bonds, etc. Subjects living in such a digital environment are ‘digitalizing’ themselves as well: the label ‘digital Self’ can help understand this change by establishing a parallel between subject and culture based on their common feature of being ‘digital’. Nevertheless, significant differences in this ‘being digital’ on both sides are at play, which should not be overlooked if we are to critically understand not only what a ‘digital Self’ and a ‘digital culture’ are, but also their dark sides and most problematic aspects. With this issue, our aim is to provide an interdisciplinary overview of the most problematic features of digital culture and the digital self according to contemporary debate, which might suggest new directions for future research and collaborative work.
Babelonline
Rivista online di Filosofia Incontro con la filosofia africana
MoMoWo · 100 projects in 100 years. European Women in Architecture and Design · 1918-2018
This publication is aimed to support two MoMoWo traveling exhibitions which will be presented in six European countries in two years (2016-2017): indoor exhibition catalogue “100 Works in 100 Years. European Women in Architecture and Design. 1918-2018”, and outdoor exhibition “Women’s Tale. A Reportage on Women Designers”. Exhibition catalogue 100 Works in 100 Years. European Women in Architecture and Design. 1918-2018 brings together a selection of some of the most significant and representative examples of European architecture and design created by 100 women from the end of the First World War up until today. The number of works is symbolic, as ‘one hundred’ could also mean ...
Made in Italy
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
Il Giusto
Il Giusto 1 aveva messo in rapporto l'idea di giustizia in quanto regola morale con la giustizia in quanto istituzione. Se gli studi raccolti ne Il Giusto 2 proseguono tale orientamento – e ne danno testimonianza i testi che vertono sui rapporti fra...
Azimuth VII (2019), nr. 13. Thinking in Exile – Pensare in esilio
Since the early nineties, the reception of Vilém Flusser was mainly focused on his media theory. If on the one hand this focus allowed to launch the first development in the study of Flusser’s ideas, on the other hand, it ended to conceal other relevant topics and aspects of his thought. Even if his work appears fragmented into several areas, there is a source that produces this variety of topics and methodologies: a deep connection between exile, creativity, and thought. Flusser’s philosophy is thinking in exile between nations and national identities across different languages, between and outside defined disciplines and scientific fields. The entire Flusser’s oeuvre becomes an expression of a collapsed ground, also revealing an unexpected sense of freedom, both existential and philosophical. His path of thinking exhibits radical unfaithfulness towards homeness and reassuring boundaries, both spatial and epistemological, both literal and metaphorical. The purpose of this issue of Azimuth is to map this intersection in Flusser's thought, by taking into account the complexity of his multifaceted thinking and the overlapping of different fields.
