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The rich history of Pittsford began in 1789, when Revolutionary War veterans Simon and Israel Stone purchased 13,298 acres of land in Western New York. Early settlers Stephen Lusk and Caleb Hopkins, a War of 1812 hero, established prosperous farms in Pittsford that have flourished for 200 years. These men created a bustling community that enticed other families to settle here. While agriculture has been a mainstay of many area families who have resided and farmed in Pittsford for generations, others have made their marks in business and industry. Many of the photographs contained within Pittsford were shared by descendants of these early families. Through the years, the town and village of Pittsford have grown due to the desirable rolling topography, the fertile farmland, the excellence of its school system, and the quaint charm of this historic community.
Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the heroes of Homer and Virgil through the adventures of the medieval knight-errants to the travellers of modern times, movement and mobility have been constitutive elements of story-telling. Since writers have begun to explore the experiential dimension of movement their texts have embraced the essential changeability and instability of ‘mobile worlds’. In this sense literature reflects and processes the transformative force of movement on the perception of the world and is part of the broader cultural discourses of mobility. From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the story of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.
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This volume offers fresh perspectives on the representation of the recent past in museums of the Second World War and of communism in post-communist Eastern Europe. It does so against the background of recent European-wide debates on history, memory and politics. The contributors from across Europe focus comparatively on a wide variety of case studies, pointing out similarities and differences, and accounting for transnational patterns of remembrance at regional and European level. Occupation and Communism in Eastern European Museums argues that museums have a huge influence on the image of the communist past in Eastern Europe. It shows how they use a vast array of media tools, visual tactics and commercial strategies in order to substantiate ideological approaches to the past and to shape the attitude of public opinion.
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The first anthology of essays to address colonial and postcolonial issues in German history, culture, and literature