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A year-long exploration of a wildlife preserve near Huntsville, Alabama, Southern Sanctuary offers a richly illustrated and handsome introduction to the scenic beauty and biodiversity of plants and animals native to the Southern Appalachians.
This is a story for everyone who loves trees, flowers, and little creatures that live in forests. It is also for those who exercise the "willing suspension of disbelief" and can imagine that fairies really exist in the woods; and lastly, it is for all who have faith in the ultimate goodness in each of us.
These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's poems and explore her attempts to shape her literary career in concert with some of her most famous modernist peers - Richard Aldington, H. D., Harriet Monroe, Ezra Pound, and William Carlos Williams."--BOOK JACKET.
During her lifetime Marianne Moore was that rarest of combinations, a genuine leader in the art of poetry, as well as a bona fide celebrity. She was an instantly recognisable symbol of Brooklyn, New York, appearing on the cover of Life magazine, asked by the Ford Motor Company to christen their new family sedan, and by the New York Yankees to throw the opening pitch of their baseball season. However, because of Moore's restless, seldom-ceasing, decade-spanning revision of her own poems, creating a 'stable' text of her work has posed editors a challenge ever since. Moore tackled the problem herself: Complete Poems (1967) was her own selection, but she favoured the later work, including less t...
Children's fiction illustrated with photographs by Marian Moore Lewis.
Marianne Moore (1887-1972) has been heralded as America's greatest poet of the modernist movement. Her volume Collected Poems won the National Book Award and the Pulitzer Prize in 1952 and the Bollingen Prize in 1953. Born in St. Louis, Missouri, Moore eventually found her way to New York with her mother whom she continued to live with until her mother passed, a familial devotion so intense that William Carlos Williams complained that it was 'pathological' and prevented her from marrying any 'literary guys'. Moore never married. Linda Leavall is the first biographer to be granted access and freedom to quote from Moore's archives. More than just a standard biography, Leavall re-examines Moore's body of work to complement and enlighten the biography. Through Moore's poems and letters from T. S. Eliot, William Carlos Williams, and many others, Leavall has written what is sure to be the definitive biography of Moore.
Second book in the Trudie series. Children's story about making pottery. Book is illustrated with photographs by Marian Moore Lewis.
Victoria Bazin's interpretations of Marianne Moore's poetry draw extensively on archival resources to trace her influences and to describe her own distinctive modernist aesthetic. Bazin argues that it was Moore's feminist adaptation of pragmatism that shaped her poetry, producing a complex response to the new expanding consumer culture, one that explores not only the aesthetic pleasures but also the ethical consequences of too much.
Third book in the Trudie series. Children's story about great blue herons. Book illustrated with photographs taken by Marian Moore Lewis.