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The Primitivist Imaginary in Iberian and Transatlantic Modernisms
Taking into account politics, history, and aesthetics, this edited volume explores the main expressions of primitivism in Iberian and Transatlantic modernisms. Ten case studies are thoroughly analyzed concerning both the circulations and exchanges connecting the Iberian and Latin American artistic and literary milieus with each other and with the Parisian circles. Chapters also examine the patterns and paradoxes associated with the manifestations of primitivism, including their local implications and cosmopolitan drive. This book opens up and deepens the discussion of the ties that Spain and Portugal maintained with their imperial pasts, which extended into European twentieth-century colonia...
José de Almada Negreiros
This book was published on the occasion of the exhibition José de Almada Negreiros- A Way of Being Modern, curated by Mariana Pinto dos Santos and shown at the Calouste Gulbenkian Foundation in Lisbon, from February 3 to June 5 1917. Texts by Ana Vasconcelos, Carlos Bártolo, Fernando Cabral Marlins, Gustavo Rubim, Luís Trindade, Mariana Pinto dos Santos, Marta Soares, Sara Afonso Ferreira, Tiago Baplista, Luis Manuel Gaspar (chronology). Considering the modern as a form of historical time, and its critical character, the modernisms were different ways of understanding the modern, and the new. In the conference he delivered in Madrid in 1927, O Desenho [Drawing], focusing on his solo exhib...
2023
This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon
Performance Art in Portugal
This book explores histories which have only recently been rediscovered by artists and researchers. This study explores the history of Portuguese performance art, in its various "speculative" and "performative" forms. The author approaches this relationship with the re-emergence and centrality of these (semi-)peripheral histories at an international level, whilst identifying some of their unique traits: their cycles of emergence and retraction in Portuguese history; their multiple and complex ontologies; the intertwined relations between the art of performance and the social performance of the Portuguese (regarding topics as sensitive and fracturing as those of the long dictatorship, the col...
Romani Chronicles of COVID-19
A ground-breaking volume that gathers the testimonies of NGO workers, street vendors, activists, scholars, health professionals, and creative writers to chronicle the devastating impact of COVID-19 on Romani communities globally. The contributors reveal how the pandemic has exacerbated Romani disenfranchisement and document the resilience and creativity with which Romanies have responded to the crisis. Deploying innovative textual formats, and including poignant personal reflections, memoirs, scholarly analyses, and diary excerpts, the volume provides a roadmap for collaboration and dialogue at a time of global emergency. This is the most significant chronicle of Romani stories about the COVID crisis ever assembled. From the Introduction: The contributions include memoirs, opinion essays, transcriptions of conversations or interviews, ethnographic analyses, and a compelling short story by Romani writer Iveta Kokyová, as well as pieces that stride the boundaries between one or more of these genres, or that fit into none.
Quality of Life, Environmental Changes and Subjectivity
In this volume, the authors consider how environmental changes affect our social, cultural and political lives and, in doing so, have a direct influence on individuals’ health. In contrast to previous research in the area, da Cal Seixas and de Moraes Hoefel emphasize both physical health and mental health as measures of human suffering, in an approach informed by the concept of subjectivity. Ultimately, the authors argue that contemporary environmental changes have a significant effect on the mental and physical wellbeing of the world’s population, and that analysis and proposals for action should address both concerns in an effort to improve our quality of life.
Art and Modernism in Socialist China
This edited volume will be the first book examining the art history of China’s socialist period from the perspective of modernism, modernity, and global interactions. The majority of chapters are based on newly available archival materials and fresh critical frameworks/concepts. By shifting the frame of interpretation from socialist realism to socialist modernity, this study reveals the plurality of the historical process of developing modernity in China, the autonomy of artistic agency, and the complexity of an art world conditioned, yet not completely confined, by its surrounding political and ideological apparatus. The unexpected global exchanges examined by many of the authors in this study and the divergent approaches, topics, and genres they present add new sources and insights to this research field, revealing an art history that is heterogeneous, pluralistic, and multi-layered. The book will be of interest to scholars working in art history, art and politics, and Chinese studies.
The End of Diversity in Art Historical Writing
The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
