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Princeton's Great Persian Book of Kings
Published on the occasion of an exhibition held at Princeton University Art Museum, October 3, 2015-January 24, 2016.
Sultan Ibrahim Mirza's Haft Awrang
Simpson explores the production, purpose and meaning of the Haft awrang (Seven Thrones), providing historical documentation about its princely patron and artists, and analysing its contents. She focuses in particular on the iconography of the seven poems.
Society and Culture in the Early Modern Middle East
The volume comprises a collection of 20 of the 43 papers presented at the Third International Round Table on Safavid Persia, held at the University of Edinburgh in August, 1998 and edited by the Round Table's organiser. The Third Round Table, the largest of the series to date, continued the emphasis of its predecessors on understanding and appreciating the legacy of the Safavid period by means of exchanges between both established and 'newer' scholars drawn from a variety of fields to facilitate an exchange of ideas, information, and methodologies across a broad range of academic disciplines between scholars from diverse disciplines and research backgrounds with a common interest in the history and culture of this period of Iran's history.
Court and Craft
The exhibition focusses on an Islamic inlaid handbag made in Mosul, northern Iraq about 1300. The bag was made for a lady in the courtly circles of the Mongol Ilkhanid dynasty established in west Asia by Genghis Khan's grandson, Hulagu. The bag, inlaid with gold and silver, features intricate geometric patterns and roundels with images of musicians and horsemen. No other object of this kind is known.
Facts and Artefacts
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kroger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
The Arts of Iran in Istanbul and Anatolia
Much medieval Persianate artwork--including books illustrated with exquisite miniature paintings--was disassembled and dispersed as isolated art objects. In The Arts of Iran in Istanbul and Anatolia, a literary historian and six art historians trace the journey from the destructive dispersal of fragments to the joys of restoration.
The Legacy of Genghis Khan
Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New York and Los Angeles in 2002-2003. Most of the manuscripts, metalwork, textiles, ceramics, and other finely decorated objects were created in Iran. Many objects are also included from the Yuan Dynasty in China, during which the Mongols ruled. Eight full-length essays are built around the objects of the exhibition and other works, all depicted in color. The essays describe the history, culture, courtly life, artistic exchanges, religious art, arts of the book, and creation of a new visual language. Distributed by Yale U. Press. Annotation copyrighted by Book News, Inc., Portland, OR
Shahnama Studies I
The first volume in the series Studies in Persian Cultural History is the edited volume based on the papers from the Second Shahnama round-table, held in 2003 in Cambridge and published by Charles Melville in 2006 (The Centre of Middle Eastern and Islamic Studies, University of Cambridge). This volume brings together a collection of papers exploring many different aspects of the Shahnama, both as literature and as the object of royal patronage. It focuses particularly on the manuscripts in which the poem has been preserved from the thirteenth century onwards, and the relationships between Firdausi's text and the rich variety of the miniature paintings created to illustrate it.
Beyond the Legacy of Genghis Khan
This volume offers a wide-ranging account of the Mongols in western and eastern Asia in the aftermath of Genghis Khan’s disruptive invasions of the early thirteenth century, focusing on the significant cultural, social, religious and political changes that followed in their wake.
