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A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retr...
Lost from view and largely unperformed for over half a century, the thirty-two extant works of chamber music by Leo Zeitlin (1884-1930) are published here, most of them for the first time. All but two are Jewish in content. A superbly talented composer and arranger, Zeitlin¿s career as a violinist, violist, conductor, and impresario began in St. Petersburg. There he became active in the Society for Jewish Folk Music, the catalyst for a brief but golden age of art music composed on Jewish themes. He subsequently taught and conducted in Ekaterinoslav and Vilna before emigrating in 1923 to New York, where he was a violist and arranger for the Capitol Theatre. The works date from all these periods of Zeitlin¿s career and are writtten for various combinations, instrumental and vocal. This edition describes Zeitllin and his milieu and includes historical and analytic discussions of each of the works. http://www.areditions.com/rr/rrn/n051.html
Pagination: lxxxiii + 270 pp.
The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. These shows have traversed (and continue to traverse) with ease the national borders which might superficially define them, or draw on features from many other genres without fundamentally changing in tone or approach. The chapters move from nineteenth-century London and Paris to twentieth-century North America, South America and Europe to present-day Australia. Some offer fresh understandings of familiar composers, such as Johann Strauss or Gilbert and Sullivan, while others examine works or composers that are less well-known. The chapter on Socialist operetta in Czechoslovakia in particular will almost certainly be a revelation to anyone from Western Europe or the US, where operetta is often understood to be a bourgeois phenomenon. As a summary of the current state of the field, this collection showcases the many possible pathways for future scholars who wish to explore it.
The definitive biography of a major American composer and musical leader
Two millennia ago, the Jewish priest-turned-general Flavius Josephus, captured by the emperor Vespasian in the middle of the Roman-Jewish War (66–70 CE), spent the last decades of his life in Rome writing several historiographical works in Greek. Josephus was eagerly read and used by Christian thinkers, but eventually his writings became the basis for the early-10th century Hebrew text called Sefer Yosippon, reintegrating Josephus into the Jewish tradition. This volume marks the first edited collection to be dedicated to the study of Josephus, Yosippon, and their reception histories. Consisting of critical inquiries into one or both of these texts and their afterlives, the essays in this volume pave the way for future research on the Josephan tradition in Greek, Latin, Hebrew and beyond.