Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Book of Hours
Marianne Boruch's patience "allows her to see what is there with a jeweler's sense of facet and flaw" (Poetry magazine).
Bestiary Dark
Is the world finite? Through place and time and the great expanse of Australia, Marianne Boruch ponders this, aided not just by wallabies and platypus, kangaroos and wombats, but by a cheeky Archangel who wanders in and out of her poems. The pertinent wisdom of an Indigenous Elder is here too, along with the continuing presence of Pliny the Elder, the Roman naturalist and historian who in 77 CE posed the question Boruch considers. Written following Boruch’s Fulbright in Australia, and on the heels of the devastating fires that began after her departure, Bestiary Darkis filled with strange and sweet details, beauty, and impending doom—the drought, fires, and floods that have grown unspeakable in scale. These poems face the ancient, unsettling relationship of humans and the natural world—the looming effect we’ve wrought on wildlife—and what solace and repair our learning even a little might mean.
A Stick that Breaks and Breaks
In this remarkable book, her fourth collection of poems, Marianne Boruch continues to explore the world around her with curiosity, wry humor, searching skepticism, and thoughtful tenderness. Her poems range widely, letting themselves be triggered, often, by quite ordinary events and people, in order to launch themselves into unpredictable questions and considerations.
Cadaver, Speak
Send a poet like Marianne Boruch to work in a cadaver lab and extraordinary poems come to life.
Grace, Fallen from
Illuminating poetry that quiets and startles and troubles
The Anti-Grief
What to do with the everything crossing one’s path? Everything for and against, upside down and inside out, grief first then its dogged shadow life, which could be joy. In The Anti-Grief, Marianne Boruch challenges our conceptions of memory, age, and time, revealing the many layers of perception and awareness. A book of meditations, these poems venture out into the world, jump their synapse, tie and untie knots, and misbehave. From Emily Dickinson’s chamber pot to meat-eating plants, from an angry octopus to crowds of salmon swimming upstream, Boruch’s imagery blurs the line between natural and supernatural. And of course there is grief—working through grief, getting over grief, living with grief, and in these magnificent poems, anti-grief.
Eventually One Dreams the Real Thing
A starred review in Library Journal says this about Eventually One Dreams the Real Thing: “Only a poet as accomplished as Boruch could make such beautiful verse while leading us through the everyday, of life’s subtle, steady shiftings (‘the bird’s hunger, seeking shape’). If the opening image of a pool filled with cruelly dredged up roses bespeaks quiet assent (‘I stood before them the way an animal/ accepts sun’), the next poem turns immediately to progress (and hence progression) as a modern invention beyond the heaven-and-hell alternatives; finally, the poet concedes, ‘I lose track of my transitions.’ In fact, transition defines us. Here, a static painting gives way to â...
In the Blue Pharmacy
Celebrated poet and essayist Marianne Boruch ponders poets and poetry, examining how the imagination works with mystery and surprise in a variety of writers. Combining a richly associative style with original insights on poetic texts, she brings in material from other worlds—among them, science and music—to demonstrate the myriad ways we transform experience and knowledge. The sixteen essays here explore poets and poetry, the writing life, and a host of fascinating topics that come into the wide range of Boruch’s attention. She looks at how the imagination works with mystery and surprise in a variety of poets from Elizabeth Bishop to Theodore Roethke, from Russell Edson to Larry Levis,...
The Little Death of Self
Marianne Boruch indulges in the joy of the short leap between poetry and the essay
The Rag-Picker's Guide to Poetry
The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of: Betty Adcock Joan Aleshire Debra Allbery Elizabeth Arnold David Baker Rick Barot Marianne Boruch Karen Brennan Gabrielle Calvocoressi Michael Collier Carl Dennis Stuart Dischell Roger Fanning Chris Forhan Reginald Gibbons Linda Gregerson Jennifer Grotz Brooks Haxton Tony Hoagland Mark Jarman A. Van Jordan Laura Kasischke Mary Leader Dana Levin James Longenbach Thomas Lux Maurice Manning Heather McHugh Martha Rhodes Alan Shapiro Daniel Tobin Ellen Bryant Voigt Alan Williamson Eleanor Wilner C. Dale Young
