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René Corneille Deboeck (1913-1985), son of Guillaume Deboeck and Joanne Nobels, married Marie Louise Girardin (1918-2001), daughter of Jean Girardin and Josephina De Maseneer. Ancestors, descendants and relatives lived mainly in Belgium. Deboeck is also spelled de Boeck and de Bock. Includes De Zutter and related families.
CONTENTS Ravenna Rimini May in Umbria The Palace of Urbino Vittoria Accoramboni Autumn Wanderings Parma Canossa Fornovo Florence and the Medici The Debt of English to Italian Literature Popular Songs of Tuscany Popular Italian Poetry of the Renaissance The 'Orfeo' of Poliziano Eight Sonnets of Petrarch
The insurrection of 31 May-2 June 1793 that overthrew the Girondins and brought the Montagnards to power was a decisive event in the history of the French Revolution. Morris Slavin's study is the first that discusses the background, the mechanisms, and the immediate results of the uprising, as well as the hidden forces that produced it and the contradictions that were inherent in it from the beginning. Slavin's approach to the controversy between the Gironde and the Mountain is from below (d'en bas), from the vantage point of the sections of Paris and their extralegal assembly, the Eveche assembly, and its Comite des Neuf. He shows how and why the Montagnards used the insurrectionary organs ...
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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
How have romantic narratives involving Beethoven's "Moonlight" Sonata affected how we hear this famous piece? How does John Coltrane's African American identity affect the way we hear him perform a relatively "white" pop standard like "My Favorite Things"? Why does music requiring great virtuosity have different cultural meanings than music that is not particularly virtuosic? From classical to jazz, pop and film music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances. Kramer demonstrates that thinking about music can become a vital means of thinking about general questions of meaning, subjectivity, a...
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