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Caribbean Art
Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.
The Light That Bends Round Corners
‘An unusual, beautifully rendered and atmospheric novel. The suspenseful storytelling and compelling characters will keep you turning the pages.’ RACHEL HORE, Sunday Times bestseller. Laura, a successful fashion journalist based in London, finds herself uprooted from the world she knows and loves after she moves with her husband and two small children to a dilapidated bungalow in Kuala Lumpur, Malaysia. Behind the house is an overgrown garden inhabited by monkeys, snakes and monitor lizards. A swimming pool sits in the shade of a beautiful jacaranda tree. Mariel, the Filipina maid Laura hires, hasn’t seen her own children for nearly ten years. She’s on a mission to escape her abusive...
Memory and the Archival Turn in Caribbean Literature and Culture
This book discusses an archival turn in the work of contemporary Caribbean writers and visual artists across linguistic locations and whose work engages critically with various historical narratives and colonial and postcolonial records. This refiguration opens a critical space and retells stories and histories previously occluded in/by those records, and in spaces of the public sphere. Through poetics and aesthetics of fragmentation largely influenced by music and popular culture, their work encourages contrapuntal ways of (re)thinking histories; ways that interrogate the influence of colonial narratives in processes of silencing but also centre the knowledge found in oral histories and other forms of artistic archives outside official repositories. Discussing literature and selected artwork by artists from Britain, Cuba, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago, Memory and the Archival Turn in Caribbean Literature and Culture demonstrates the historiographical significance of artistic and cultural production.
The Routledge Companion to Photography, Representation and Social Justice
Including work by leading scholars, artists, scientists and practitioners in the field of visual culture, The Routledge Companion to Photography, Representation and Social Justice is a seminal reference source for the new roles and contexts of photography in the twenty-first century. Bringing together a diverse set of contributions from across the globe, the volume explores current debates surrounding post-colonial thinking, empowerment, identity, contemporary modes of self-representation, diversity in the arts, the automated creation and use of imagery in science and industry, vernacular imagery and social media platforms and visual mechanisms for control and manipulation in the age of surv...
The President's Report
1897/98 includes summaries for 1891 to 1897.
Inward Hunger
When the author, the Prime Minister of Trinidad and Tobago, was a lad, his country was a British Crown Colony, and its government offered one university scholarship a year to the entire population. Young Williams became an authority on West Indian history and founded the People's National Movement Party. This is an autobiography of the author.
Women and Mixed Race Representation in Film
This book uses a black/white interracial lens to examine the lives and careers of eight prominent American-born actresses from the silent age through the studio era, New Hollywood, and into the present century: Josephine Baker, Nina Mae McKinney, Fredi Washington, Lena Horne, Dorothy Dandridge, Lonette McKee, Jennifer Beals and Halle Berry. Combining biography with detailed film readings, the author fleshes out the tragic mulatto stereotype, while at the same time exploring concepts and themes such as racial identity, the one-drop rule, passing, skin color, transracial adoption, interracial romance, and more. With a wealth of background information, this study also places these actresses in historical context, providing insight into the construction of race, both onscreen and off.
The Golden Key
None
Pictures from Paradise
Pictures from Paradise examines the ways in which contemporary art photography has evolved within the English-speaking Caribbean, rising beyond depictions of idyllic scenes to tackle more complex social, racial, political and gender issues. Within the past few years, regional artists have provided an increasingly searching image of the Caribbean and the people who inhabit it. The only publication on contemporary Caribbean photography, Pictures from Paradise features more than 200 images from 18 established and up-and-coming artists, including Ewan Atkinson, Marvin Bartley, Terry Boddie, Holly Bynoe, James Cooper, Renee Cox, Gerard Gaskin, Abigail Hadeed, Gerard Hanson, Nadia Huggins, Marlon James, Roshini Kempadoo, O'Neil Lawrence, Ebony Patterson, Radcliffe Roye, Alex Smailes, Stacey Tyrell and Rodell Warner.
