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From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this golden age can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in Americas history. This fascinating new history of Orange, New Jersey, showcases more than two hundred of the best vintage postcards available.
As early as 1829, Antoine Dutot saw potential for a profitable resort industry at the Delaware Water Gap and began construction of the first Kittatinny House overlooking the Delaware River. After the arrival of the Delaware, Lackawanna and Western Railroad in 1856, other hostelries of various sizes and appointments followed and were soon filled each summer with happy vacationers from New York City and Philadelphia. Residents of surrounding villages on both sides of the Delaware River also shared the seasonal wealth of this natural playground, yet they still managed to make a living during the rest of the year. River Towns of the Delaware Water Gap salutes the grand hotels, their diminutive little sisters, and the people who ran them or lived in the gap and its neighboring river towns.
Emerging from the Catskills, the Delaware River winds along the border between Pennsylvania and New Jersey to the Atlantic, offering hundreds of miles of magnificent scenery. Its sparkling waters supported the Lenape tribes growing maize along its banks. English explorers sailed the river in search of the mythical Lake Laconia, believed to be the source of all northeastern rivers. Urban growth pitted railroads, industry and energy companies against protectionists in continuing fights over appropriate use of the river. Hunting, fishing and boating remain vital local traditions passed from one generation to the next. Author Frank H. Moyer charts the life and legacy of the mighty Delaware.
Tucked beside the Kittatinny Mountains in the beautiful valley of the Paulinskill River, Blairstown combines the charm of an 1800s agrarian village with many amenities of a 21st-century community. Named for its most famous resident, noted American industrialist and railroad builder John Insley Blair, it was incorporated in 1845. Known for the college preparatory academy that bears Blairs name, the heritage and history of this community has long been appreciated by its residents. Through vintage postcards from their own collections and supplementary material, the authors invite you to step back in time to visit Blairstown and the neighboring villages of Hope, Hardwick, Johnsonburg, and Marksboro in an era when the horse and buggy took you to local destinations and the railroad was your passport to the larger world.
"In this detailed narrative of the business Tuthill founded, the patterns he created, the techniques he used, and the other artisans and consumers he knew, Maurice Crofford has written the story of an earlier, more elegant and leisurely era. For those knowledgeable about cut glass, the development of the forms will be instructive; for others, who simply appreciate the beauty of the glass, the numerous black and white photographs will appeal. Beyond both of those dimensions, however, Crofford provides a fascinating insight into the ways industrialization and mass production and, more especially, the automobile, changed forever the ways upper-class Americans lived, entertained, and displayed their good fortune. In Tuthill's career, moreover, Crofford finds an example of American ingenuity and creative genius in responding to changing times."--BOOK JACKET.
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The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR