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La Fondation des Artistes présente le catalogue de l’exposition « La Vérité n’est pas la vérité » dans le cadre de la saison graphique programmée par la MABA à Nogent-sur-Marne. La phrase de Rudy Giuliani en soutien à Donald Trump « La vérité n’est pas la vérité » évoque d’autres sombres époques où la vérité, elle non plus, n’était pas la vérité. Lorsqu’il s’agissait d’éradiquer les sorciers – mais plus particulièrement les sorcières – des femmes qui dérangeaient et qui faisaient toujours dans les procès en sorcellerie l’objet de plaidoiries à charge. Les sorcières n’ont été rien d’autre que cela : des femmes qui dérangeaient et dé...
This book provides a new perspective on book history, with essays from leading scholars showing how communities of writers, publishers and readers across early modern Europe shaped the consumption of print.
The Desclergues of la Villa Ducal de Montblanc (2nd edition) is a comprehensive ancestral chronicle, meticulously tracing the Desclergues family lineage from the Greek era through the Villa Ducal de Montblanc in Tarragona to the present in Belgium. This omnibus edition compiles the entire acclaimed series, offering an exhaustive account of the Desclergues of Montblanc alongside the author's other ancestral lines, including de Patin, de Patin de Langemark, Lesage, Benoit, Den Dauw, 't Kint, Surmont, de Croock, Ardan, Lammens, Decaestecker, and de Silva of Uduwara in Sri Lanka. This scholarly work is enriched by a comprehensive DNA analysis, providing genetic depth to the historical narrative....
The Yearbook of International Organizations provides the most extensive coverage of non-profit international organizations currently available. Detailed profiles of international non-governmental and intergovernmental organizations (IGO), collected and documented by the Union of International Associations, can be found here. In addition to the history, aims and acitvities of international organizations, with their events, publications and contact details, the volumes of the Yearbook include networks between associations, biographies of key people involved and extensive statistical data. Volume 2 allows users to locate organizations by the country in which secretariats or members are located.
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Stien Bekaert?s 'Nothing on the left' is a carefully composed formal play with fragmentary photographs? from found footage to self-made images. Most of these photos would normally be doomed to disappear between the folds of time, if Stien Bekaert did not take care of them, and granted them a new life.00Captivated by handicraft, Bekaert experiments with various printing techniques. She makes etchings, lithographs and monotypes, as well as riso, offset and transfer prints. Through manipulations? such as crops, transformations and blowups? Stien Bekaert deconstructs the images and creates distance. The compositions, the choice of materials and the meticulous assembling of loose sheets into a new narrative, no detail remains untouched. The main objective is to give the viewer a poetic viewing experience. At times lyrical and dreamy, at others uncanny or disquieting. Always ambiguous and permeated with an unfulfillable desire.
Aangevuld met de bibliografie van de friese taal- en literatuurwetenschap.