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What is the public sphere, how is it best described, and what role does it play in modern life? These questions have attracted considerable attention within library and information science circles over several decades, especially regarding public libraries. Circulation of Power contributes to this discussion by proposing a new research framework and new methods for analyzing public sphere communication. Using extensive data gathered from an urban public library infrastructure, this historical case study demonstrates how public sphere communication shaped the infrastructure’s development over time, producing both changes and continuities across the case’s nine periods. Two new conceptual ...
"What follows in these pages is the chronicle of ceramic objects unearthed in Raqqa in the first quarter of the twentieth century. Marilyn Jenkins-Madina, Curator Emerita of Islamic Art at the Metropolitan Museum, describes the dramatic journey of these ceramics from their discovery in the medieval city to the emporiums of Paris and New York, the drawing rooms of the great collectors, and the galleries of the Metropolitan Museum. Using art-historical detective work, archival documents, and scientific data, the author convincingly establishes provenance and dating, placing these objects - some of the most exquisite ever produced by Islamic potters - in a secure historical context for the first time."--BOOK JACKET.
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works; Jonathan M. Bloom, The Mosque of the Qarafa in Cairo; Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture; Howard Crane, Some Archaeological Notes on Turkish Sardis; Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period; Do?gan Kuban, The Style of Sinan's Domed Structures; Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries; Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan; Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture; Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan; Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations; A.J. Lee, Islamic Star Patterns;
In honor of the institution’s 150th year, this publication celebrates the 203 collectors who committed more than 2,500 works of art to The Met for the sesquicentennial. These meaningful additions change the ways in which we think about the Museum’s holdings and deepen the stories The Met can tell about all the works in the collection. Highlights featured in this volume include an imposing stone head from an Egyptian sarcophagus; an opulent horse armor commissioned by King Philip IV of Spain; a Tibetan war mask; an early American daguerreotype; Sir Edward Burne-Jones’s enigmatic watercolor; an early twentieth-century Japanese bamboo shrine cabinet; poignant photographs made by Robert Frank for his iconic series The Americans; the Cuban American artist Carmen Herrera’s 1949 tondo Iberic; Steve Miller’s 1961 Gibson guitar; important works by Georg Baselitz; art from the Iranian Saqqakhana school; the vibrant bark painting of Aboriginal Australian artist Nonggirrnga Marawili; and recent creations by artists such as Cecily Brown, Peter Doig, Robert Gober, and Wangechi Mutu.
Here are 42 interviews with women who competed in the All-American Girls Professional Baseball League. Each interview features data about the player, a short summary of her athletic career, and the player's recollections. A brief history covers the many changes as the league evolved from underhand pitching with a 12-inch circumference ball in 1943 to overhand pitching, adopted in 1948, through the circuit's final year, 1954, when a regulation baseball was introduced. The interviews range from 1995 to 2012 and reveal details of particular games, highlights of individual careers, the camaraderie of teammates, opponents and fans, and the impact the League made on their lives. Several players recall how the 1992 movie A League of Their Own brought the historic All-American League back to life almost 40 years after the final game was played.
Computer game designers craft techniques to titillate children with sex and violence, while social media developers infiltrate and shape children's social and emotional worlds to compel them to spend more and more monetizable time online. America's schools are being transformed into profit centers while children are subjected to increasingly regimented teaching that thwarts curiosity and creativity, numbing the joy of learning. And children's chronic health problems, from asthma to cancer, autism, and birth defects, steadily escalate as thousands of new industrial chemicals are dumped into their environments. Nelson Mandela once sagely remarked that "there can be no keener revelation of a society's soul than the way it treats its children." The problem today, as Joel Bakan reveals, is that business interests have made protecting children extremely difficult.
At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongol...