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Brain Injury Medicine
Brain Injury Medicine - which includes free ebook access with every print purchase - is a clear and comprehensive guide to all aspects of the management of traumatic brain injury-from early diagnosis and evaluation through the post-acute period and rehabilitation. An essential reference for physicians and other health care professionals who work with patients with brain injury, the book focuses on assessment and treatment of the wider variety of clinical problems these patients face and addresses many associated concerns such as epidemiology, ethical issues, legal issues, and life-care planning. Written by over 190 acknowledged leaders, the text covers the full spectrum of the practice of br...
Exploring Transdisciplinarity in Art and Sciences
The book is organized around 4 sections. The first deals with the creativity and its neural basis (responsible editor Emmanuelle Volle). The second section concerns the neurophysiology of aesthetics (responsible editor Zoï Kapoula). It covers a large spectrum of different experimental approaches going from architecture, to process of architectural creation and issues of architectural impact on the gesture of the observer. Neurophysiological aspects such as space navigation, gesture, body posture control are involved in the experiments described as well as questions about terminology and valid methodology. The next chapter contains studies on music, mathematics and brain (responsible editor Moreno Andreatta). The final section deals with evolutionary aesthetics (responsible editor Julien Renoult). Chapter "Composing Music from Neuronal Activity: The Spikiss Project" is available open access under a Creative Commons Attribution-NonCommercial 4.0 International License via link.springer.com.
Different Kinds of Minds
Albert Einstein. Steve Jobs. Elon Musk. Katharine Johnson. These geniuses are all visual thinkers. Are you? Do you like puzzles, coding, and taking things apart? Do you write stories, act in plays, slay at Wordle? The things you are good at are clues to how your brain works. Are you good at math? Working with your hands? Are you a neat freak or a big mess? With her knack for making science easy to understand, Temple Grandin explains different types of thinkers: verbal thinkers who are good with language, and visual thinkers who think in pictures and patterns. You will discover all kinds of minds and how we need to work together to create solutions to help solve real-world problems.
Neurovision: Neural bases of binocular vision and coordination and their implications in visual training programs
Binocular vision is achieved by five neurovisual systems originating in the retina but varying in their destination within the brain. Two systems have been widely studied: the retino-tectal or retino-collicular route, which subserves an expedient and raw estimate of the visual scene through the magnocellular pathway, and the retino-occipital or retino-cortical route, which allows slower but refined analysis of the visual scene through the parvocellular pathway. But there also exist further neurovisual systems: the retino-hypothalamic, retino-pretectal, and accessory optic systems, which play a crucial role in vision though they are less understood. The retino-pretectal pathway projecting ont...
Dynamics of Sensorimotor Interactions in Embodied Cognition
We interact with our environment through perception and action. Perception is based on sensory components while actions are based on motor components. It is commonly accepted that these sensorimotor components constitute the foundation of knowledge (i.e., percepts and concepts), action and emotion. However, whether or not these components remain part of knowledge, action and emotion is still being debated (see Glenberg, Witt, & Metcalfe, 2013). According to the classical symbolic/abstracted approach of cognition, cognitive processes operate on symbols that are abstracted from these components. Reversely, embodied cognition theory states that knowledge, action and emotion remain grounded in t...
Thinking Touch in Partnering and Contact Improvisation
What happens when artists take touch as a starting point for embodied research? This collection of essays offers unique insights into contact in dance, by considering the importance of touch in choreography, philosophy, scientific research, social dance, and education. The performing arts have benefitted from the growth of an ever-widening spectrum of tactile explorations since the advent of contact improvisation (CI) in 1972. Building on the research proposal CI offers, partnering forms such as tango, martial arts, and somatic therapies have helped shape the landscape of embodied practices in contemporary dance. Presenting a range of practitioner and scholarly perspectives relevant to undergraduate students and researchers alike, this volume considers the significance of touch in the development of 21st century pedagogy, art-making, and performance philosophy.
