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Dark Mother
Bringing a feminist perspective to contemporary findings of geneticists and archeologists, Lucia Chiavola Birnbaum, cultural historian, points out that the oldest veneration we know is of a dark mother of central and south Africa, whose signs-ochre red and the pubic V-were taken by african migrants after 50,000 BCE to caves and cliffs of all continents. The oldest sanctuary in the world was created in 40,000 BCE by african migrants in Har Karkom, later called Mt. Sinai, foundation place of judaism, christianity, and islam.Lucia documents the continuing memory of the dark mother and her values in prehistoric images of the dark mother, in historic black madonnas and in other dark women divinit...
Engaging Symbols
Randolph shows how "engaging" political symbols were grounded in a revolutionary way in amorous discourses that drew on metaphors of affection, desire, courtship, betrothal, marriage, homo- and hetero-eroticism, and procreation."--BOOK JACKET.
Country Life
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The Art, History and Architecture of Florentine Churches
Churches and palaces in Florence have been the subject matter of book-length, often multi-volume studies over the centuries. This book is a compendium of the main churches in Florence and has been written with two distinct audiences in mind: English-speaking students of Renaissance art, architecture, literature and history and the well-read traveller to Florence who wishes to place the works of art and architecture into the wider context of Italian culture. The choice of churches discussed here was influenced by the author’s experience as teacher for several university programmes on site in Florence. The buildings described and analysed are those which students will most likely encounter in the course of their study-abroad stay in Florence, whether they wish to specialise in art, architecture or the history of the Florentine Renaissance. This book represents a textbook that offers concise information on the history, art, and architecture of 25 of the main Florentine churches, provides plans and photos of the façades, and introduces the student to some of the most important vocabulary and the main textual sources of the thirteenth to the seventeenth centuries.
Saving Italy: The Race to Rescue a Nation's Treasures from the Nazis
From the author of the #1 New York Times bestseller The Monuments Men: "An astonishing account of a little-known American effort to save Italy's…art during World War II." —Tom Brokaw When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked f...
Historical Dictionary of Renaissance Art
The art of the Renaissance is usually the most familiar to non-specialists, and for good reason. This was the era that produced some of the icons of civilization, including Leonardo da Vinci’s Mona Lisa and Last Supper and Michelangelo’s Sistine Ceiling, Pietà, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Donatello, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. This second edition of Historical Dictionary of Renaissance Art contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on artists from Italy, Flanders, the Netherlands, Germany, Spain, and Portugal, historical figures and events that impacted the production of Renaissance art. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Renaissance art.
Obraz a příběh
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The A to Z of Renaissance Art
The Renaissance era was launched in Italy and gradually spread to the Netherlands, Germany, Spain, France, and other parts of Europe and the New World, with figures like Robert Campin, Jan van Eyck, Rogier van der Weyden, Albrecht DYrer, and Albrecht Altdorfer. It was the era that produced some of the icons of civilization, including Leonardo da Vinci's Mona Lisa and Last Supper and Michelangelo's Sistine Ceiling, Piet^, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Caravaggio, Donato Braman...
Firenze
Wie de uitgestrekte Povlakte en de daaropvolgende Apennijnen achter zich heeft gelaten, mag zich verheugen in het uitzicht op een van de mooiste steden van Italië. Met enige moeite kan de aandachtige reiziger in de verte de legendarische koepel van Brunelleschi ontwaren. Hij weet dan dat ze daar ligt, in al haar ontwapenende schoonheid, als een slapende kat in het dal van de Arno, omgeven door de zacht glooiende heuvels van Toscane: de stad Florence. Florence, waar de roemruchte Medici eeuwenlang de scepter hebben gezwaaid, vormt het decor voor enkele van de grootste klassiekers uit de wereldliteratuur. Dante ontmoette er zijn Beatrice, het verwoestende effect van een pestepidemie op de sta...
Dark Water
Birthplace of Michelangelo and home to untold masterpieces, Florence is a city for art lovers. But on November 4, 1966, the rising waters of the Arno threatened to erase over seven centuries of history and human achievement. Now Robert Clark explores the Italian city’s greatest flood and its aftermath through the voices of its witnesses. Two American artists wade through the devastated beauty; a photographer stows away on an army helicopter to witness the tragedy first-hand; a British “mud angel” spends a month scraping mold from the world’s masterpieces; and, through it all, an author asks why art matters so very much to us, even in the face of overwhelming disaster.
