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Anyone who is involved with information technology knows that the Internet is running out of IP addresses. The last block of Internet Protocol version 4 (IPv4) addresses was allocated in 2011. Internet Protocol version 6 (IPv6) is the replacement for IPv4, and it is designed to address the depletion of IP addresses and change the way traffic is managed. This IBM® RedpaperTM publication describes the concepts and architecture of IPv6 with a focus on: An overview of IPv6 features An examination of the IPv6 packet format An explanation of additional IPv6 functions A review of IPv6 mobility applications This paper provides an introduction to Internet Control Message Protocol (ICMP) and describes the functions of ICMP in an IPv6 network. This paper also provides IPv6 configuration steps for the following clients: Microsoft Windows Red Hat Enterprise Linux IBM AIX® VMware vSphere ESXi 5.0 After understanding the basics of IPv6 concepts and architecture, IT network professionals will be able to use the procedures outlined in this paper to configure various host operating systems to suit their network infrastructure.
Booting servers from a storage area network (SAN) is being used increasingly in complex data center environments today, due to its significant benefits over the traditional method of booting from local disks. SAN Boot enables organizations to maximize consolidation of their IT resources, minimize their equipment costs, and realize the considerable management benefits of centralizing the boot process. In SAN Boot, you can deploy diskless servers in an environment where the boot disk is located on (often RAID-capable) storage connected to the SAN. The server (initiator) communicates with the storage device (target) through the SAN using the Fibre Channel host bus adapter (HBA). The system down...
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Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.