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Art and History of Crete
Discover the rich history and culture of some of the world¿s most influential historical places with these highly illustrated books, packed with informative and enlightening descriptions and information
The Chimaera of Arezzo
This translated catalog was produced for the title exhibit at the J. Paul Getty Museum, Los Angeles, held July 16, 2009-February 8, 2010. Iozzo (National Archeological Museum, Florence) and the Getty's senior curator of antiquities describe their collaboration for the loan of this large Etruscan bronze chimera dating to the 5th century B.C., its 16th century discovery in Arezzo, symbolism of the mythical creature, and place in classical art and Medici history.
A Companion to Greeks Across the Ancient World
An innovative, up-to-date treatment of ancient Greek mobility and migration from 1000 BCE to 30 BCE A Companion to Greeks Across the Ancient World explores the mobility and migration of Greeks who left their homelands in the ten centuries between the Early Iron Age and the Hellenistic period. While most academic literature centers on the Greeks of the Aegean basin area, this unique volume provides a systematic examination of the history of the other half of the ancient Greek world. Contributions from leading scholars and historians discuss where migrants settled, their new communities, and their connections and interactions with both Aegean Greeks and non-Greeks. Divided into three parts, th...
Greek and Roman Small Size Sculpture
Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholar...
The François Vase
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Magna Graecia
This magnificent book presents 82 masterpieces of Greek vase painting and sculpture in terrocotta, stone, and bronze from the eight great museum collections of the South of Italy and Sicily. 170 colour illustrations
Image, Text, Stone
This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological empha...
Athens, Etruria, and the Many Lives of Greek Figured Pottery
A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts. Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.
Athenian Potters and Painters III
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops Ð Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms Ð plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed paintersÕ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes o...
Athenian Black-Figure Cups from the Campana Collection in the National Archaeological Museum of Florence
The volume presents 304 Athenian black-figure cups and fragments, predominantly Little-Master cups, once part of one of the largest private collections in 19th century, compiled by Giovanni Pietro Campana.For the first time, the entire group was systematically studied, resulting in new attributions, the discovery of unique scenes, as well as new joins, both within the Florence cluster of fragments as well as outside: illustrated in photo-reconstructions are the 49 connections and joins (so-called disiecta membra) that were found with fragments in other European collections, thus illustrating the unfortunate effects of the eventual dispersion of the Campana collection. The publication of this group of cups and fragments aims to further enhance our knowledge about the products of Athenian craftsmen and their Etruscan customers in the sixth century B.C.
