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Sentenced to Death
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Heads
Provides advise on: the early stages; relations with governors, staff and parents; curriculum management and strategy; pastoral care; boarding; finance; development and fund raising; marketing; public relations; and, appraisal.
A Companion to Middle English Prose
The essays in this volume provide an up-to-date and authoritative guide to the major prose Middle English authors and genres. Each chapter is written by a leading authority on the subject and offers a succinct account of all relevant literary, history and cultural factors that need to considered, together with bibliographical references. Authors examined include the writers of the Ancrene Wisse, the Katherine Group and the Wohunge Group; Richard Rolle; Walter Hilton; Nicholas Love; Julian of Norwich; Margery Kempe; "Sir John Mandeville"; John Trevisa, Reginald Pecock; and John Fortescue. Genres discussed include romances, saints' lives, letters, sermon literature, historical prose, anonymous devotional writings, Wycliffite prose, and various forms of technical writing. The final chapter examines the treatment of Middle English prose in the first age of print. Contributors: BELLA MILLETT, RALPH HANNA III, AD PUTTER, KANTIK GHOSH, BARRY A. WINDEATT, A.C. SPEARING, IAN HIGGINS, A.S.G. EDWARDS, VINCENT GILLESPIE, HELEN L. SPENCER, ALFRED HIATT, FIONA SOMERSET, HELEN COOPER, GEORGE KEISER, OLIVER S. PICKERING, JAMES SIMPSON, RICHARD BEADLE, ALEXANDRA GILLESPIE.
Religious Education in Thirteenth-Century England
In Religious Education in Thirteenth-Century England, Andrew Reeves examines how laypeople in a largely illiterate and oral culture learned the basic doctrines of the Christian religion. Although lay religious life is often assumed to have been a tissue of ignorance and superstition, this study shows basic religious training to have been broadly available to laity and clergy alike. Reeves examines the nature, availability and circulation of sermon manuscripts as well as guidebooks to Christian teachings written for both clergy and literate laypeople. He shows that under the direction of a vigorous and reforming episcopate and aided by the preaching of the friars, clergy had a readily available toolkit to instruct their lay flocks.
Charters of St Paul's, London
St Paul's was the principal church of London from its foundation in A. D. 604. This volume is an edition of all the surviving documentary material from St Paul's from the seventh century to 1066, with expert analysis and commentary on the history of the bishops and the cathedral community within the city and diocese, considered against the background of London's history during this period. The medieval archives of St Paul's suffered at times from neglect, and as a result the majority of the Anglo-Saxon charters of the bishop and chapter are preserved only as fragments in the notebooks of two seventeenth-century scholars who studied a crucial manuscript before it disappeared at the time of the Commonwealth. These excerpts are here edited with full diplomatic and historical commentary, which makes it possible to resurrect to some extent the full documents. The edition of the charters is prefaced by an extended introduction which provides an important new synthesis of the history of London and St Paul's in the Anglo-Saxon period, complete with an extensive bibliography.
The Book and the Magic of Reading in the Middle Ages
The computer revolution is upon us. The future of books and of reading are debated. Will there be books in the next millennium? Will we still be reading? As uncertain as the answers to these questions might be, as clear is the message about the value of the book expressed by medieval writers. The contributors to the volume The Book and the Magic of Reading in the Middle Ages explore the significance of the written document as the key icon of a whole era. Both philosophers and artists, both poets and clerics wholeheartedly subscribed to the notion that reading and writing represented essential epistemological tools for spiritual, political, religious, and philosophical quests. To gain a deeper understanding of the cultural significance of the medieval book, the contributors to this volume examine pertinent statements by medieval philosophers and French, German, English, Spanish, and Italian poets.
William Caxton's Paris and Vienne and Blanchardyn and Eglantine
Blanchardyn and Eglantine and Paris and Vienne were last edited in 1890 and 1957, respectively. The proposed edition incorporates recent scholarship and criticism, including new critical editions of French texts closely related to Caxton's sources for both romances. Other relevant scholarly traditions include: studies of the two romances and late medieval romance in England and France; gender studies, especially the role of women in these narratives; scholarship relating to the owners and readers of Caxton's romances and associated manuscripts; studies of courtesy literature and its relationship to romance; and scholarship on Caxton, his career, publications, prose style, and language.
Marriage, Family, and Law in Medieval Europe
A collection of essays by Michael Sheehan, whose work and interpretation on medieval property, marriage, family, sexuality, and law has insprired scholars for 40 years.
Diagramming Devotion
During the European Middle Ages, diagrams provided a critical tool of analysis in cosmological and theological debates. In addition to drawing relationships among diverse areas of human knowledge and experience, diagrams themselves generated such knowledge in the first place. In Diagramming Devotion, Jeffrey F. Hamburger examines two monumental works that are diagrammatic to their core: a famous set of picture poems of unrivaled complexity by the Carolingian monk Hrabanus Maurus, devoted to the praise of the cross, and a virtually unknown commentary on Hrabanus’s work composed almost five hundred years later by the Dominican friar Berthold of Nuremberg. Berthold’s profusely illustrated elaboration of Hrabnus translated his predecessor’s poems into a series of almost one hundred diagrams. By examining Berthold of Nuremberg’s transformation of a Carolingian classic, Hamburger brings modern and medieval visual culture into dialogue, traces important changes in medieval visual culture, and introduces new ways of thinking about diagrams as an enduring visual and conceptual model.
