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The Poster
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a...
Elizabeth von Arnim
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's cr...
The Visual Spectacle of Witchcraft in Jacobean Plays
The Visual Spectacle of Witchcraft in Jacobean Plays: Blackfriars Theatre is an ideal reference for early modern scholars and lecturers who seek a thorough and practical guide to stage directions in print and performance, and paying particular attention to the early texts as evidence of performance practice. Stage directions here are re-thought in the light of early theatre practice, and the issues of stage directions as evidence of performance practice and later interpolations, in association with witchcraft, of several Jacobean plays can be found in this book. This book includes a general introduction to Blackfriars witchcraft plays and the Jacobean theatre, a chronology, suggestions for further reading and discussing performance options on both indoor and outdoor playhouses, and a commentary. The illuminating and informative general introduction and the short introductions to individual plays have been revised in the light of current scholarship.
Edwardian London through Japanese Eyes
Edwardian London Through Japanese Eyes considers the career of the Japanese artist Yoshio Markino (1869-1956), a prominent figure on the early twentieth-century London art scene whose popular illustrations of British life adroitly blended stylistic elements of East and West. He established his reputation with watercolors for the avant-garde Studio magazine and attained success with The Colour of London (1907), the book that offered, in word and picture, his outsider’s response to the modern Edwardian metropolis. Three years later he recounted his British experiences in an admired autobiography aptly titled A Japanese Artist in London. Here, and in later publications, Markino offered a dist...
The Victorian Idyll in Art and Literature
Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victoria...
Gerard Manley Hopkins and His Poetics of Fancy
This book explores the poetics of “fancy” in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkins’s poetics and later becomes the essence of his idiosyncratic concept of “inscape”, as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkins’s poetics of fancy, Hopkins’s experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fancy and the aesthetics of Romantic poets such as Keats and Wordsworth. Chapter Two focus...
The Cambridge Companion to Victorian Culture
Stimulating and informative new essays on many aspects of nineteenth-century culture.
Studios of Their Own
Studios of Their Own travels around the world examining the unique spaces, habits and rituals of over 50 famous artists. From Picasso, to Hockney, to Caravaggio, discover the eclectic creative spaces used by artistic visionaries, brought to life with evocative illustrations. Crossing centuries, continents and genres, Alex Johnson explores these artists’ workspaces and habits. How do they practise their craft? What do they look for in a studio? Do they work in silence or with music… in a shared space or in solitude? How do they harness the light? And how do their physical spaces affect and inspire their output? This striking collection focuses on more than 50 international artists, includ...
