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Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volume?s 14 essays explore art, technology and nature?s shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mann...
A lucid and crucial account of Schelling's major works in the philosophy of nature, now available in paperback.
This book is a defense of perspectivism in the age of post-truth. At the crossroads of science, art, and philosophy, it unearths a tradition that we must rediscover: the point of view is not only what divides, it is also what is shared. Today, perspective is associated with individualism and personal viewpoints. But in an age of post-truth, the only robust answer to relativism lies in fact in a reappraisal of perspectivism. In discussion with contemporary new realisms of various sorts, this book makes a case why perspectivism alone can avoid us falling back into epistemological naivetés. A journey into the history of optics, art, philosophy, and social psychology, this book unearths the for...
Der Band »Cassirer in Contexts« ist Bestandteil des wiederauflebenden Interesses an den philosophischen Errungenschaften Ernst Cassirers. Die hier versammelten Aufsätze wurden von Forscherinnen und Forschern aus verschiedenen akademischen Disziplinen verfasst, was sich in der Reichhaltigkeit der behandelten Themen widerspiegelt. Der Sammelband enthält Zusammenfassungen und kritische Diskussionen mehrerer für Cassirers Philosophie wichtiger Konzepte – etwa die Bedeutung des Symbolischen oder des Mythos – sowie Erörterungen hinsichtlich des Einflusses von Cassirers Denken auf die Entwicklung bestimmter philosophischer Teildisziplinen, besonders der Sprachphilosophie und Philosophie der Mathematik. Des Weiteren dient der Band als Beleg für die Aktualität von Cassirers Denken, als Beweis dafür, dass dieses nach wie vor eine Quelle theoretischer und philosophischer Inspiration ist und sein Erklärungspotenzial in einer Vielzahl von Kontexten genutzt werden kann
A theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice. In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena—material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research. Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is ...
What do the work processes of a neurosurgeon and a painter have in common? Applying the notions of “Design”, “Gestaltung”, and “Formatività”, this book sheds new light on processes of formation and transformation in the material world we live in. Scholars from the fields of history, philosophy, psychology, media, and cultural studies question established processes of giving form, while artists, designers, engineers, and scientists describe their creative processes. This book provides its readers with an overview of the spectrum of “philosophies of making” and invites them to reflect on their own creative process, its possibilities, and associated responsibilities to the environment, and ultimately to express these in action. There has never been a more urgent need to develop a new relationship between matter and form. • Discussing and expanding the definitions of “Design”, “Gestaltung”, and “Formatività” • Leading international theorists write about the relationship between matter and form • A collection of new texts and first English translation of key texts
Ernst Cassirer's thought-provoking essay Form and Technology (1930) ascribes to technology a new dignity as a genuine tool of the mind in equal company with language and art. Translated here into English it is accompanied by critical essays that explore its current relevance.
The Tenth International Congress on Calvin Research took place at the University of the Free State in Bloemfontein, South Africa. »Reconciliation« was choosen as the overall theme of the plenary papers in order to relate scholarly research to present day issues and, in this case, the recent history of South Africa. It is noteworthy that all presenters have managed to deal with this topic in various ways and without doing injustice to academic standards. Even a good number of short papers took notice of the theme and all of this results in this volume, in which the latest in Research on Calvin is presented.Other than some had expected, the attention for Calvin did not decline after the Calvin Year 2009 in which so many conferences were held and so many books were published. Bloemfontein proved that quite the opposite is true, namely that the 500th celebration of Calvin's birthday gave a boost to research and encouraged many young scholars and from a growing number of countries to deal with the Genevan's theology, biography and influence.
Few philosophers stand out as boldly as Immanuel Kant. While he did not write as much as others, his principle works, Critique of Pure Reason, Critique of Practical Reason, and Critique of Judgment, are known worldwide. During his time, schools of Kantianism quickly sprang up and were later joined by schools of Neokantianism. Admittedly, not all of Kant's concepts have aged well, but many are still taught among the basics of philosophy today and therefore must be known by every student. The A to Z of Kant and Kantianism provides a comprehensive dictionary that will aid not only students, but also teachers and the general public, since it contains hundreds of entries describing Kant's life and works, and explaining his concepts as well as the contributions of his followers (and also some opponents). Furthermore, much of the writings of the Neokantians, as well as the literature dealing with this movement, are not available in English, thus, this book provides an introduction to this phenomenon to the English-language reader. Given the inevitable problems of language, the glossary is particularly helpful, while the bibliography makes the massive amounts of literature more accessible.
In The Veiled God, Ruth Jackson Ravenscroft offers a detailed portrait of Friedrich Schleiermacher’s early life, ethics, and theology in its historical and social context. She also critically reflects on the enduring relevance of his work for the study of religion. The book analyses major texts from Schleiermacher’s early work. It argues that his experiments with literary form convey his understanding that human knowledge is inherently social, and that religion is thoroughly linguistic and historical. The book contends that by making finitude (and not freedom) a universal aspect to human life, Schleiermacher offers rich conceptual resources for considering what it means to be human in this world, both in relations of difference to others, and in relation to the infinite.