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Agents of Repression
For those wondering how Bill Clinton could pardon white-collar fugitive Marc Rich but not Native American leader Leonard Peltier, important clues can be found in this classic study of the FBI's COINTELPRO (Counterintelligence Program). Agents of Repression includes an incisive historical account of the FBI siege of Wounded Knee, and reveals the viciousness of COINTELPRO campaigns targeting the Black Liberation movement. The authors' new introduction examines the legacies of the Panthers and AIM, and shows how the FBI still presents a threat to those committed to fundamental social change. Ward Churchill is author of From a Native Son. Jim Vander Wall is co-author of The COINTELPRO Papers: Documents from the FBI's Secret Wars Against Dissent in the United States, with Ward Churchill.
The Genius and the Goddess
Presents a look at the marriage of the American playwright and the movie star, discussing their different backgrounds, creative needs, dependency issues, and career conflicts which led to their divorce after five tumultuous years.
Venice West
In this fascinating book, John Arthur Maynard tells the story of the poets and promoters who invented the Beat Generation and who, in many cases, destroyed themselves in the process. In this look at the least remembered (but in its time, most publicized) beat enclave, Maynard focuses on two of Venice's most newsworthy residentsÐÐLawrence Lipton and Stuart Z. Perkoff. Lipton began as a writer of popular detective stories and screenplays, but was determined to be recognized as a poet and social critic. He eventually published The Holy Barbarians, which helped to create the enduring public image of the beatnik. Stuart Perkoff was a more gifted poet; with fascination and horror, we follow his failed attempts to support his family, his heroin addiction, his first wive's courage and mental fragility, his sexual entanglements, his imprisonment, and the development of his own writing. Other characters who move in and out of the story are Kenneth Rexroth, Jack Kerouac, and Allen Ginsberg, as well as lesser-known poets, artists, hangers-on, and the many women who were rarely treated as full members of the community.
Invasion of the Mind Snatchers
When the first television was demonstrated in 1927, a headline in The New York Times read, “Like a Photo Come to Life.” It was a momentous occasion. But the power of television wasn’t fully harnessed until the 1950s, when the medium was, as Eric Burns says, “At its most preoccupying, its most life-altering.” And Burns, a former NBC News correspondent who is an Emmy-winner for his broadcast writing, knows about the impact of television. Invasion of the Mind Snatchers chronicles the influence of television that was watched daily by the baby boomer generation. As kids became spellbound by Howdy Doody and The Ed Sullivan Show, Burns reveals, they often acted out their favorite programs...
Sylvia Plath's Fiction
This is the first study devoted to Sylvia Plath's fiction. Plath wrote fiction throughout her life, in a wide variety of genres, including women's magazine romances, New Yorker stories, comedy, social criticism, autobiography, teenage fiction and science fiction. She wrote novels before and after The Bell Jar. Discussing all these novels and stories, and based on research in the three major archives of her work, this book is the complete study of Plath's fiction. The author analyses her influences as a fiction writer, the relationships between her poetry and fiction, the political views she expresses in her fiction, and devotes two chapters to the central concern of her novels and stories, the roles of women in contemporary society.
While Waiting for Rain
What might a sensible community choose to do if its economy has fallen apart and becoming a ghost town is not an acceptable option? Unfortunately, answers to this question have long been measured against an implicit standard: the postwar economy of the 1950s. After showing why that economy provides an implausible standard—made possible by the lack of economic competition from the European and Asian countries, winners or losers, touched by the war—John Henry Schlegel attempts to answer the question of what to do. While Waiting for Rain first examines the economic history of the United States as well as that of Buffalo, New York: an appropriate stand-in for any city that may have seen its ...
On the Real Side
This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos 'n' Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.
Movies as History
Popular movies can enhance the study of history. A dominant form of entertainment throughout the 20th century, they can serve as nontraditional primary sources and offer remarkable opportunities to observe attitudes about social concerns, gender or racial issues, politics, and historical events that were current when the movies were made. This book is a topical guide for educators, providing detailed analysis of 35 movies, followed by discussion questions that will help students interpret how each movie's content and themes reflect the times when it was made. The book covers four main topics: the Great Depression, World War II, the early years of the Cold War, and the changing expectations and images of women in movies from 1930 to 1970. An historical overview chronicles how each topic was treated in movies from that time period. The movies should have wide appeal in grades 7 through 12 and can help students learn to think more critically about the images and messages that appear in popular media today.
Television in Black-and-white America
La couverture indique : "Alan Nadel's new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm - particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America." "During this era, prime-time TV was dominated by "adult Westerns," with heroes like The Rebel's Johnny Yuma reincarnating Southern values and Bonanza's Cartwright family reinforcing the notion of white patriarchy - programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism, racial poverty, and increasingly vocal civil rights demands."
American Architectural History
This book presents a collection of recent writings on architecture and urbanism in the United States, with topics ranging from colonial to contemporary times.
