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Empresses and Queens in the Courtly Public Sphere from the 17th to the 20th Century
Eight case studies focus on a specific group of European Empress consorts and Queen regnants from the 17th to the 20th century and their relationship to the media, using a unique, comparative, cross-media, and cross-period approach.
Contesting Europe
While the term ‘Europe’ was used sporadically in ancient and medieval times, it proliferated between the fifteenth and sixteenth centuries, and gained a prevalence in the seventeenth and eighteenth centuries which it did not possess before. Although studies on the history of the idea of Europe abound, much of the vast body of early modern sources has still been neglected. Assuming that discourses tend to transcend linguistic, historical and generic boundaries, this book has gathered experts from various fields of study who examine vernacular and Latin negotiations of Europe from the late fifteenth to the early eighteenth century. This multi-angled approach serves to identify similarities and differences in the discourses on Europe within their different national and cultural communities. Contributors are: Ovanes Akopyan, Volker Bauer, Piotr Chmiel, Nicolas Detering, Stefan Ehrenpreis, Niels Grüne, Peter Hanenberg, Ulrich Heinen, Ronny Kaiser, Niall Oddy, Katharina N. Piechocki, Dennis Pulina, Marion Romberg, Lucie Storchová, Isabella Walser-Bürgler, Michael Wintle, and Enrico Zucchi.
Bodies and Maps
An exploration of the ways early modern European artists have visualized continents through the female (sometimes male) body to express their perceptions of newly encountered peoples. Often stereotypical, these personifications are however more complex than what they seem.
Religious Plurality at Princely Courts
Early modern European monarchies legitimized their rule through dynasty and religion where ideally the divine right of the ruler corresponded with the official confession of the territory. It has thus been assumed that at princely courts only a single confession was present. However, the reality of the confessionalization paradigm commonly involved more than one faith. Religious Plurality at Princely Courts explores the reverberations of bi-confessional or multi-confessional intra-Christian settings at courts on dynastic, symbolic, diplomatic, artistic, and theological levels addressing a significant neglected understanding of interreligious dialogue, religious change, and confessional blending. Incorporating perspectives across European studies such as domestic and international politics, dynastic strategies, the history of ideas, women’s and gender history, and material culture, the contributions to this volume highlight the intersections of religious plurality at court.
Infinite Jest
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Margherita Costa, Diva of the Baroque Court
The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court brings together close textual readings of Costa’s numero...
On the Way to the "(Un)Known"?
This volume brings together twenty-two authors from various countries who analyze travelogues on the Ottoman Empire between the fifteenth and nineteenth centuries. The travelogues reflect the colorful diversity of the genre, presenting the experiences of individuals and groups from China to Great Britain. The spotlight falls on interdependencies of travel writing and historiography, geographic spaces, and specific practices such as pilgrimages, the hajj, and the harem. Other points of emphasis include the importance of nationalism, the place and time of printing, representations of fashion, and concepts of masculinity and femininity. By displaying close, comparative, and distant readings, the volume offers new insights into perceptions of "otherness", the circulation of knowledge, intermedial relations, gender roles, and digital analysis.
The Making of European Music in the Long Eighteenth Century
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics ...
The Sinews of Habsburg Power
The Sinews of Habsburg Power explores the domestic foundations of the immense growth of central European Habsburg power from the rise of a permanent standing army after the Thirty Years' War to the end of the Napoleonic wars. With a force that grew irregularly in size from around 25,000 soldiers to as many as half a million in the War of the Sixth Coalition, the Habsburg monarchy participated in shifting international constellations of rivalry from western Europe to the Near East and in some two dozen, partly overlapping armed conflicts. Raising forces of such magnitude constituted a central task of Habsburg government, one that ultimately required the cooperation of society and its elites. ...
Japan on the Jesuit Stage
Japan on the Jesuit Stage offers a comprehensive overview of the representations of Japan in early modern European Neo-Latin school theater. The chapters in the volume catalog and analyze representative plays which were produced in the hundreds all over Europe, from the Iberian Peninsula to present-day Croatia and Poland. Taking full account of existing scholarship, but also introducing a large amount of previously unknown primary material, the contributions by European and Japanese researchers significantly expand the horizon of investigation on early modern European theatrical reception of East Asian elements and will be of particular interest to students of global history, Neo-Latin, and theater studies.
